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PREVIOUSLY ON LOVE and HIP-HOP:

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ATLANTA...

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I HAD WENT TO THE DOCTOR

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YESTERDAY AND, UM...

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I'M PREGNANT.

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I DON'T THINK THE TIMING

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IS RIGHT.

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WELL, I APOLOGIZE THAT ME

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HAVING A BABY'S NOT A PART OF

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YOUR LIFE PLAN.

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I WENT AND DID THE TROUBLE OF

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BUYING A CAKE.

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WHAT'S THE CAKE FOR?

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E.O.E.

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END OF ENGAGEMENT.

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SHE'S STILL INVOLVED IN

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YOUR RELATIONSHIP?

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THAT'S THE THING, DAD.

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'CAUSE IF YOU GO SOMEWHERE

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ELSE AND GET INVOLVED YOURSELF

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IN ANOTHER RELATIONSHIP, YOU MAY

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FIND THE SAME ISSUES.

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I REALLY WANT TO QUARTERBACK

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AND RUNNING BACK THIS THING.

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LIKE, REALLY, LIKE...

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I'LL COACH THE TEAM.

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YOU QUARTERBACK.

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WHY YOU IN THE STUDIO WITH

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THIS HO, 'CAUSE, FOR REAL, YOU

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AIN'T FINISHED MY ALBUM YET.

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I'M NOT IN THE STUDIO WITH

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CHE' MACK

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WHY IS JOHNNY RAPPING

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ABOUT GIRLS?

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HE LIKE MEN.

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WHATEVER'S BEING SAID

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ABOUT ME--

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I DON'T CARE WHAT'S

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BEING SAID.

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ANYBODY THAT'S GOT SOME

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[bleep] BEEF RIGHT NOW, PLEASE

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GET THE [bleep] OUT OF HERE.

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WHO YOU TALKING TO?

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I'M JUST TALKING TO--

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YOU'RE [bleep] YELLING AT ME.

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YELL AT THE MOTHER[bleep] YOU

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NEED TO YELL AT, MIMI.

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DON'T DO IT.

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[bleep], I'M NOT THE ONE THAT'S

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[bleep] DOING NOTHING WRONG

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RIGHT NOW.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP ♪

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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[electronic hip-hop music]

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♪

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YESTERDAY WAS CRAZY.

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YEAH, I EXPECTED K.MICHELLE TO

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POP OFF, BUT ARIANE?

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COME ON, MAN.

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THIS WAS SUPPOSED TO BE MY DAY

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TO SHINE.

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THEY'RE SUPPOSED TO BE THERE

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TO SUPPORT ME.

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AND OF COURSE, SOME STUPID

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[bleep] HAPPENS AND [bleep] UP

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EVERYTHING.

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HELLO.

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SO GUESS WHAT?

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WHEN ARIANE CALLED ME TO TALK

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ABOUT IT, I REALLY WANTED TO SEE

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WHERE HER [bleep] HEAD WAS AT.

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I WANTED YESTERDAY TO BE

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SO GREAT.

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THEN THE [bleep] [bleep] SHOW.

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LET'S LOOK AT EVERY TIME WE

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GO SOMEWHERE.

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WE KNOW HOW K. CAN BE.

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MY HOUSEWARMING--

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OKAY.

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ERICA'S ENGAGEMENT.

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IT'S ALWAYS SOMETHING.

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AND THAT'S WHERE--

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THAT'S WHY I EXPLODED AND

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BLEW THE [bleep] UP.

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BUT YOU SAID, "MY FRIENDS."

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YOU SHOULD HAVE JUST NAMED

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THE CULPRIT, NOT ME.

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YOU KNOW GOOD AND DAMN WELL

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I WASN'T TALKING ABOUT YOU.

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YOU SHOULD HAVE [bleep]

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SPECIFIED THAT FOR ME.

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WHAT IS HER ISSUE WITH GAY

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PEOPLE?

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SHE SAID IT.

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SHE SAID SHE HAD AN ISSUE WITH

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MEN PRETENDING THAT THEY'RE

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NOT GAY.

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SHE DOESN'T KNOW JOHNNY

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FOR HER TO EVEN TO MAKE

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THAT STATEMENT.

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IT JUST GOT WAY OUT OF LINE.

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LIKE, I THOUGHT JOHNNY WAS GONNA

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BE ABLE TO HANDLE IT BY HIMSELF,

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AND WHEN NIKKO CAME IN, I WAS

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LIKE, "ALL RIGHT, HE'S GONNA

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MAKE IT OKAY."

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IT DIDN'T HAPPEN LIKE THAT,

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AND THAT'S WHEN I WAS LIKE,

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"OH, [bleep].

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BOTH OF Y'ALL ABOUT TO TRY TO

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ATTACK HER?"

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LIKE, I KNOW THAT'S YOUR

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HOMEBOY.

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I GET IT.

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BUT IT'S TWO MEN ATTACKING THIS

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LITTLE PERSON WITH A BIG

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ATTITUDE AND A BIG MOUTH.

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NIKKO AND JOHNNY HANDLED THAT

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SITUATION ALL WRONG.

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WHAT I DIDN'T UNDERSTAND WAS,

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MIMI AND I BEEN ROCKIN' FOR

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YEARS, AND I NEVER REALLY SEEN

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HER JUST GO SO HARD FOR SOMEBODY

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LIKE THAT THAT SHE BARELY KNEW.

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SO IT JUST WASN'T RIGHT.

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SHE JUST WASN'T RIGHT AT ALL.

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COULD HE HAVE HANDLED IT

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BETTER?

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ABSOLUTELY.

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BUT THE ROOT OF THIS WHOLE THING

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IS K. MICHELLE, PERIOD.

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SHE WANTED YOU TO COME TO HER

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DEFENSE.

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I'M NOT [bleep] K.MICHELLE.

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NO, YOU'RE NOT.

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OKAY, NEVER GONNA HAPPEN.

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I TOLD HER THAT.

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OKAY, WELL, I DON'T SEE WHAT

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THE [bleep] PROBLEM IS.

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I WASN'T EVEN IN THE ROOM WHEN

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ANY OF THIS WENT DOWN.

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I'M OUTSIDE--

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WOULD YOU HAVE A CONVERSATION

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WITH HER?

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NO, I DID NOT.

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I SAID WOULD YOU.

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OF COURSE I WOULD.

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OKAY.

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BUT I'M NOT GONNA SIT THERE

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AND LISTEN TO HER ATTACK ME ON

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SOME BULL[bleep], IS WHAT I'M

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NOT GONNA DO.

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WELL, I'M GOING TO NEW YORK

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TODAY.

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I'M GONNA SEE HER WHILE

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I'M THERE.

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I'M SURE.

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YOU WANT TO COME?

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WHY WOULD I FLY TO NEW YORK?

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I'M SAYING I'M GONNA SEE HER,

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SO WE COULD TRY TO JUST KIND OF

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AIR THINGS OUT WHILE

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WE'RE THERE.

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COME ON.

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LOVE NEW YORK.

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LOVE THE ENERGY, ALL THAT.

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THAT'S WHAT I'M SAYING.

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I WILL GO TO NEW YORK--

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IT'S A COMPLETELY DIFFERENT

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ATMOSPHERE.

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I WILL GO TO NEW YORK,

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NO PROBLEM.

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IF I HAPPEN TO SEE K.,

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ALL FINE.

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I'M GONNA SEE HER WHILE I'M

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THERE.

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OH, OKAY.

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I JUST THOUGHT MAYBE YOU'LL

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BE WITH ME.

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I'LL GO TO NEW YORK, SURE.

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OKAY.

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I WANT TO GO TO

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THE DRUNKEN MONKEY.

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[laughter]

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[police siren wails]

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SO BASICALLY, MAN, YOU KNOW

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WHAT I'M SAYING, MOMMA THROWING

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THE E.O.E., END OF ENGAGEMENT

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PARTY, AND THAT JUST REALLY JUST

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CROSSED THE LINE WITH ME.

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I AIN'T WITH NONE OF THAT

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SHIZNAY, YOU FEEL ME?

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WHAT'S HAPPENING,

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WHAT'S HAPPENING?

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HEY, SON.

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WHAT'S UP, BOY?

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SO WHAT I'M FINNA DO, I'M

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FINNA GO GET MY BAGS AND GET THE

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HELL ON AND TELL HER ABOUT IT

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SO WE CAN PUT SPACE BETWEEN US.

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MAN, I'M GLAD YOU CAME BY

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'CAUSE I REALLY WANTED TO TALK

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TO YOU ABOUT THE LAST TIME YOU

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WERE HERE.

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FIRST, I WANTED TO APOLOGIZE FOR

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MAYBE JUMPING THE GUN WITH

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THE CAKE, AND THEN YOU'VE

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MENTIONED MOM.

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GUESS WHAT?

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I'M NOT A MAMA'S BOY, WHERE

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YOU'LL ALWAYS BE A MAMA'S BOY.

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AND IT'S NOT--HEAR ME OUT.

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IT'S NOT THAT I DON'T WANT

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YOU HAPPY.

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I KNOW YOU WANT ME TO BE.

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WELL, I DID BIRTH A BOY IN

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'84, SO--AND I'M YOUR MOM, SO

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THERE YOU GO.

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WITH THAT BEING SAID, IT KIND OF

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HURT MY FEELINGS, BUT I KNOW

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YOU LOVE ME.

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ALL I'M ASKING YOU IS TO STAY

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OUT OF MY MIX.

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I CAN TRY.

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YOU KNOW WHAT?

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YOU AIN'T GOT TO TRY.

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YOU JUST DON'T DO IT.

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JUST LEAVE ME THE HELL ALONE.

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LIKE I SAID, YOU LOVE YOUR KID

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AND DISRESPECT YOUR KID IN

246
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THE SAME SENTENCE.

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HOW DO I DO THAT?

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YOU'LL GO OVER THERE AND DO

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SOMETHING DISRESPECTFUL THAT'S

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GONNA MESS WITH ME AND THEN

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TURN AROUND AND SAY, "BUT MOMMY

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LOVE YOU.

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MOMMY LOVE YOU."

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BUT I DO.

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BUT, LIKE, WHY WOULD YOU DO A

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KID LIKE THAT?

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HOW LONG MAMAS HAVE BEEN

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DOING STUFF THAT THE KIDS

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DON'T LIKE?

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YOU NOT LIKE ALL

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THE OTHER MAMAS.

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YOU IS CRAZY.

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YOU KNOW WHAT I'M SAYING?

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NO, I'M NOT. NO, I'M NOT.

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YOU NEED TO START TAKING YOUR

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MEDICINE--

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I'M NOT TAKING ANYTHING BUT

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SOME PAIN FOR THIS

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TOOTHACHE I GOT.

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BUT, YOU KNOW, MAYBE I WAS JUST

271
00:05:55,100 --> 00:05:56,233
BEING A LITTLE SELF-CENTERED

272
00:05:56,233 --> 00:05:59,667
AND SELFISH, SO, YOU KNOW, MOMMY

273
00:05:59,667 --> 00:06:00,733
WANT TO APOLOGIZE.

274
00:06:00,733 --> 00:06:03,333
WOW, ARE YOU SERIOUS?

275
00:06:03,333 --> 00:06:04,200
SAY THAT AGAIN.

276
00:06:04,200 --> 00:06:05,567
WHAT, WHAT, WHAT?

277
00:06:05,567 --> 00:06:09,467
[breathily] APOLOGIZE.

278
00:06:09,467 --> 00:06:10,633
I MAY HAVE OVERSTEPPED MY

279
00:06:10,633 --> 00:06:12,700
BOUNDARIES WITH THE E.O.E. CAKE.

280
00:06:12,700 --> 00:06:13,967
HUH.

281
00:06:13,967 --> 00:06:16,267
HMM, NOT.

282
00:06:16,267 --> 00:06:17,667
BUT ERICA IS FINALLY

283
00:06:17,667 --> 00:06:19,067
OUT THE PICTURE.

284
00:06:19,067 --> 00:06:19,800
YOU GET IT?

285
00:06:19,800 --> 00:06:20,833
HA, HA, HA.

286
00:06:20,833 --> 00:06:21,867
SHE'S OUT.

287
00:06:21,867 --> 00:06:22,533
[dog barking]

288
00:06:22,533 --> 00:06:23,200
MY LITTLE HOMIE.

289
00:06:23,200 --> 00:06:24,067
THAT'S MY LITTLE HOMIE RIGHT

290
00:06:24,067 --> 00:06:24,700
THERE, GANGSTER.

291
00:06:24,700 --> 00:06:25,367
I LOVE YOU.

292
00:06:25,367 --> 00:06:26,067
LOVE YOU.

293
00:06:26,067 --> 00:06:26,700
FORGIVE ME, MERLOT?

294
00:06:26,700 --> 00:06:28,067
I LOVE YOU.

295
00:06:28,067 --> 00:06:29,067
HOLLER AT YOU.

296
00:06:29,067 --> 00:06:30,433
PRINCE IS OUT.

297
00:06:30,433 --> 00:06:31,100
BYE.

298
00:06:31,100 --> 00:06:32,133
MERLOT.

299
00:06:32,133 --> 00:06:33,633
HOLLER AT YOUR BOY, SON.

300
00:06:33,633 --> 00:06:34,933
SHUT YOUR FACE, B.

301
00:06:34,933 --> 00:06:35,600
BYE, BOY.

302
00:06:35,600 --> 00:06:37,767
BYE.

303
00:06:37,767 --> 00:06:39,567
[emotional piano music]

304
00:06:39,567 --> 00:06:43,067
* MY HEART IS MENDING

305
00:06:43,067 --> 00:06:44,700
KIRK AND I HAVE SPENT 13

306
00:06:44,700 --> 00:06:45,933
YEARS OF OUR LIVES BUILDING

307
00:06:45,933 --> 00:06:46,600
A FAMILY TOGETHER.

308
00:06:46,600 --> 00:06:48,300
* GRADUALLY

309
00:06:48,300 --> 00:06:49,533
WE'VE HAD OUR PROBLEMS.

310
00:06:49,533 --> 00:06:50,400
DON'T GET ME WRONG.

311
00:06:50,400 --> 00:06:51,500
BUT AT THE END OF THE DAY,

312
00:06:51,500 --> 00:06:52,967
ONE THING I ALWAYS FELT THAT WAS

313
00:06:52,967 --> 00:06:54,833
REAL WAS OUR COMMITMENT AND OUR

314
00:06:54,833 --> 00:06:57,667
LOVE TO ONE ANOTHER.

315
00:06:57,667 --> 00:06:58,700
BUT OVER THE LAST COUPLE OF

316
00:06:58,700 --> 00:07:00,700
MONTHS, I'VE SEEN A BIG CHANGE

317
00:07:00,700 --> 00:07:01,500
IN KIRK.

318
00:07:01,500 --> 00:07:03,200
I LOOK AT THIS MAN, AND I'M

319
00:07:03,200 --> 00:07:04,400
QUESTIONING MYSELF LIKE,

320
00:07:04,400 --> 00:07:05,367
"WHO IS THIS?"

321
00:07:05,367 --> 00:07:06,633
I DON'T UNDERSTAND WHERE HE'S

322
00:07:06,633 --> 00:07:08,067
COMING FROM OR WHAT'S GOING ON

323
00:07:08,067 --> 00:07:10,600
IN HIS HEAD.

324
00:07:10,600 --> 00:07:13,333
* MY BODY'S ACHING ♪

325
00:07:13,333 --> 00:07:15,867
♪ BUT I WON'T LET IT ♪

326
00:07:15,867 --> 00:07:20,767
♪ BRING ME DOWN

327
00:07:20,767 --> 00:07:23,900
♪ I AM YOUNG, BUT LIFE GOES

328
00:07:23,900 --> 00:07:25,833
I WANT MY HUSBAND BACK:

329
00:07:25,833 --> 00:07:27,300
THE MAN WHO I RENEWED MY VOWS

330
00:07:27,300 --> 00:07:29,167
WITH LAST YEAR, MY BUSINESS

331
00:07:29,167 --> 00:07:31,767
PARTNER, AND MY BEST FRIEND.

332
00:07:31,767 --> 00:07:33,367
I JUST HOPE KIRK CAN SEE THAT

333
00:07:33,367 --> 00:07:35,067
GOD HAS GIVEN US A BLESSING AND

334
00:07:35,067 --> 00:07:36,400
WE ARE THE LUCKIEST PEOPLE

335
00:07:36,400 --> 00:07:38,400
IN THE WORLD.

336
00:07:39,233 --> 00:07:40,667
WHAT'S UP?

337
00:07:40,667 --> 00:07:42,100
HEY.

338
00:07:42,100 --> 00:07:43,633
CAME ON OVER TO CHAT ABOUT A

339
00:07:43,633 --> 00:07:46,500
FEW OF THESE THINGS ON MY BRAIN.

340
00:07:46,500 --> 00:07:48,467
I DEFINITELY HAVE SOME THINGS

341
00:07:48,467 --> 00:07:49,833
I WANT TO TALK ABOUT TOO.

342
00:07:49,833 --> 00:07:51,767
YOU BEING PREGNANT RIGHT NOW

343
00:07:51,767 --> 00:07:55,200
IS DEFINITELY BAD TIMING, AND I

344
00:07:55,200 --> 00:07:56,767
ALMOST FEEL LIKE IT'S SPITEFUL.

345
00:07:56,767 --> 00:07:58,500
LIKE, YOU PRETTY MUCH DID IT ON

346
00:07:58,500 --> 00:07:59,600
PURPOSE, AND THAT'S HOW

347
00:07:59,600 --> 00:08:01,500
I REALLY FEEL.

348
00:08:01,500 --> 00:08:02,167
I MEAN...

349
00:08:02,167 --> 00:08:03,133
SPITEFUL.

350
00:08:03,133 --> 00:08:06,067
SO I DID IT SPITEFULLY, BUT YOU

351
00:08:06,067 --> 00:08:07,067
GOT TO KEEP IN MIND THAT IT

352
00:08:07,067 --> 00:08:08,167
TAKE TWO PEOPLE TO MAKE A BABY.

353
00:08:08,167 --> 00:08:08,833
RIGHT, BUT YOU

354
00:08:08,833 --> 00:08:09,500
TAKE THE PILLS.

355
00:08:09,500 --> 00:08:10,167
I DON'T.

356
00:08:10,167 --> 00:08:11,400
AND WHEN I STOP TAKING

357
00:08:11,400 --> 00:08:12,633
THE PILLS, I TOLD YOU THAT.

358
00:08:12,633 --> 00:08:13,667
I'M JUST TELLING YOU I FEEL

359
00:08:13,667 --> 00:08:14,567
LIKE IT'S SPITEFUL.

360
00:08:14,567 --> 00:08:16,067
IT'S JUST LIKE, DID YOU JUST

361
00:08:16,067 --> 00:08:17,167
PLAN TO STOP TAKING THEM

362
00:08:17,167 --> 00:08:17,833
ON PURPOSE?

363
00:08:17,833 --> 00:08:18,500
BUT YOU KNOW WHAT?

364
00:08:18,500 --> 00:08:19,300
I FEEL LIKE IT'S AN EXCUSE,

365
00:08:19,300 --> 00:08:20,267
AND TO BE HONEST WITH YOU,

366
00:08:20,267 --> 00:08:21,767
I FEEL LIKE THERE'S SOMETHING

367
00:08:21,767 --> 00:08:23,200
ELSE, AND I DON'T WANT TO BE IN

368
00:08:23,200 --> 00:08:25,233
YOUR WAY, AND AT THE SAME TIME,

369
00:08:25,233 --> 00:08:27,267
I FEEL LONELY.

370
00:08:27,267 --> 00:08:29,833
I FEEL LIKE I'M LOST IN THIS

371
00:08:29,833 --> 00:08:30,700
SITUATION.

372
00:08:30,700 --> 00:08:32,267
IT SEEM LIKE I DON'T EVEN KNOW

373
00:08:32,267 --> 00:08:33,233
YOU RIGHT NOW.

374
00:08:33,233 --> 00:08:34,567
EVER SINCE RASHEEDA TOLD ME

375
00:08:34,567 --> 00:08:35,733
SHE WAS PREGNANT, I'M JUST

376
00:08:35,733 --> 00:08:36,767
LOOKING AT HER, LIKE, IT'S SO

377
00:08:36,767 --> 00:08:38,067
MUCH GOING ON.

378
00:08:38,067 --> 00:08:39,100
FINALLY, WE HAD A PLACE WHERE

379
00:08:39,100 --> 00:08:40,400
I THINK WE ABOUT TO MAKE IT AND

380
00:08:40,400 --> 00:08:41,733
SHE'S PREGNANT, AND I'M JUST

381
00:08:41,733 --> 00:08:42,667
REALLY NOT WITH IT.

382
00:08:42,667 --> 00:08:43,800
SO I'M JUST HAVING A HARD TIME

383
00:08:43,800 --> 00:08:45,433
DIGESTING THE WHOLE SITUATION.

384
00:08:45,433 --> 00:08:47,167
I DON'T UNDERSTAND WHY YOU

385
00:08:47,167 --> 00:08:48,467
ACTING LIKE THIS IS SUCH A HARD

386
00:08:48,467 --> 00:08:49,433
THING.

387
00:08:49,433 --> 00:08:50,600
I HAVE A LOT OF KIDS,

388
00:08:50,600 --> 00:08:51,467
YOU KNOW--

389
00:08:51,467 --> 00:08:52,467
I DON'T, SO DON'T CHEAT

390
00:08:52,467 --> 00:08:53,367
ME, YOUR WIFE, YOU KNOW,

391
00:08:53,367 --> 00:08:54,233
YOUR PARTNER.

392
00:08:54,233 --> 00:08:55,500
DON'T TAKE THAT FROM ME.

393
00:08:55,500 --> 00:08:57,200
THERE IS WAYS AROUND IT.

394
00:08:57,200 --> 00:08:58,167
NO, IT'S NOT.

395
00:08:58,167 --> 00:08:59,233
YEAH, THERE IS.

396
00:08:59,233 --> 00:09:00,300
YOU BASICALLY TRYING TO SAY

397
00:09:00,300 --> 00:09:02,133
TO ME, "YOU NEED TO GET

398
00:09:02,133 --> 00:09:02,800
RID OF THE BABY."

399
00:09:02,800 --> 00:09:03,800
THAT'S BASICALLY WHAT I GOT

400
00:09:03,800 --> 00:09:04,667
FROM YOU.

401
00:09:04,667 --> 00:09:06,233
AND I FEEL LIKE, YOU KNOW WHAT?

402
00:09:06,233 --> 00:09:08,133
THAT'S SOME [bleep] BULL[bleep].

403
00:09:08,133 --> 00:09:08,833
I DID SAY THAT.

404
00:09:08,833 --> 00:09:09,700
THAT'S CRAZY.

405
00:09:09,700 --> 00:09:10,800
I ACTUALLY SAID, "YEAH, YOU

406
00:09:10,800 --> 00:09:11,567
NEED TO GET AN ABORTION."

407
00:09:11,567 --> 00:09:12,333
IT MAKES ME THINK THERE'S

408
00:09:12,333 --> 00:09:13,233
SOMETHING WRONG WITH YOU.

409
00:09:13,233 --> 00:09:14,433
WELL, I SAID IT, AND THAT'S

410
00:09:14,433 --> 00:09:15,133
HOW I FEEL.

411
00:09:15,133 --> 00:09:15,800
WHY WOULD YOU EVEN SAY

412
00:09:15,800 --> 00:09:16,500
SOMETHING LIKE THAT?

413
00:09:16,500 --> 00:09:17,267
YOU KNOW WHAT?

414
00:09:17,267 --> 00:09:18,600
IF THE SITUATION WAS CHANGED AND

415
00:09:18,600 --> 00:09:19,500
YOU WALKED THROUGH THIS DOOR AND

416
00:09:19,500 --> 00:09:20,833
YOU TOLD ME THAT, I WOULD NEVER

417
00:09:20,833 --> 00:09:22,067
REACT LIKE THAT, EVER.

418
00:09:22,067 --> 00:09:23,067
THIS BUSINESS--

419
00:09:23,067 --> 00:09:23,667
THAT'S BEING MESSED UP.

420
00:09:23,667 --> 00:09:24,400
BUT BUSINESS IS GONNA

421
00:09:24,400 --> 00:09:25,067
BE THERE.

422
00:09:25,067 --> 00:09:25,733
THAT'S THE--

423
00:09:25,733 --> 00:09:26,800
NO, YOU NOT THINKING ABOUT--

424
00:09:26,800 --> 00:09:28,567
WE'VE PAUSED PERSONAL LIFE

425
00:09:28,567 --> 00:09:29,533
[bleep] FOR BUSINESS

426
00:09:29,533 --> 00:09:30,533
FOR SO LONG.

427
00:09:30,533 --> 00:09:31,700
HOW LONG WE GONNA CONTINUE

428
00:09:31,700 --> 00:09:32,600
TO DO THAT?

429
00:09:32,600 --> 00:09:34,100
I ASKED YOU TO PUT YOUR BRAIN

430
00:09:34,100 --> 00:09:35,067
ON IT AND THINK ABOUT IT.

431
00:09:35,067 --> 00:09:36,700
AND MY THOUGHT IS HELL, NO.

432
00:09:36,700 --> 00:09:38,567
THERE'S NO OTHER THING FOR ME TO

433
00:09:38,567 --> 00:09:39,400
THINK ABOUT.

434
00:09:39,400 --> 00:09:41,233
I'M PREGNANT, AND I'M GONNA HAVE

435
00:09:41,233 --> 00:09:44,067
A BABY, AND I WANT YOU AND ME TO

436
00:09:44,067 --> 00:09:45,300
FIGURE OUT WHEN WE'RE GONNA

437
00:09:45,300 --> 00:09:47,067
SHOOT THE VIDEOS, WHAT DATE WE

438
00:09:47,067 --> 00:09:48,400
GONNA DO IT, BECAUSE TIME'S

439
00:09:48,400 --> 00:09:49,100
A-TICKING BEFORE

440
00:09:49,100 --> 00:09:50,100
I START SHOWING.

441
00:09:50,100 --> 00:09:51,500
THAT'S WHAT I WANT TO DO.

442
00:09:51,500 --> 00:09:52,233
YOU'RE PREGNANT.

443
00:09:52,233 --> 00:09:53,100
YOU'RE THE ONE.

444
00:09:53,100 --> 00:09:55,300
YUP, SURE AM.

445
00:09:55,300 --> 00:09:58,533
AND I FEEL REAL [bleep] UP

446
00:09:58,533 --> 00:09:59,300
RIGHT NOW.

447
00:09:59,300 --> 00:10:00,200
I MEAN, I KNOW THAT

448
00:10:00,200 --> 00:10:01,233
SOUND BAD.

449
00:10:01,233 --> 00:10:02,467
I KNOW IT DON'T SOUND RIGHT.

450
00:10:02,467 --> 00:10:04,000
BUT RASHEEDA IS A BRAND

451
00:10:04,000 --> 00:10:05,133
IN THE BUSINESS.

452
00:10:05,133 --> 00:10:06,500
AND I KNOW YOU CAN'T SEE THAT

453
00:10:06,500 --> 00:10:07,467
'CAUSE IT'S YOU.

454
00:10:07,467 --> 00:10:08,500
NO, I CAN'T SEE IT.

455
00:10:08,500 --> 00:10:10,367
YOU SOUND CRAZY, AND I THINK YOU

456
00:10:10,367 --> 00:10:11,233
NEED TO LEAVE.

457
00:10:11,233 --> 00:10:13,733
THAT'S WHAT I THINK.

458
00:10:13,733 --> 00:10:15,567
GOSH, I MAY WANT TO.

459
00:10:15,567 --> 00:10:16,333
I DON'T KNOW.

460
00:10:16,333 --> 00:10:17,000
OH.

461
00:10:17,000 --> 00:10:20,433
WELL, YOU NEED TO LET ME KNOW...

462
00:10:20,433 --> 00:10:22,433
THAT ANSWER.

463
00:10:24,867 --> 00:10:26,867
[cheers and applause]

464
00:10:26,867 --> 00:10:27,533
I'M GLAD YOU CAME.

465
00:10:27,533 --> 00:10:29,800
I HAD NO IDEA SUCH AND SUCH

466
00:10:29,800 --> 00:10:30,933
WAS GONNA BE HERE.

467
00:10:30,933 --> 00:10:32,133
HEY, GIRL.

468
00:10:32,133 --> 00:10:33,800
GOOD JOB.

469
00:10:33,800 --> 00:10:34,700
WHAT'S UP, CHE'?

470
00:10:34,700 --> 00:10:35,533
HI, JOSELINE.

471
00:10:35,533 --> 00:10:36,600
I DON'T KNOW WHY I'M HERE

472
00:10:36,600 --> 00:10:37,433
TALKING TO Y'ALL.

473
00:10:37,433 --> 00:10:38,267
BITCH, I KNOW YOU ABOUT TO DO

474
00:10:38,267 --> 00:10:39,033
WHATEVER THE [bleep] YOU--

475
00:10:39,033 --> 00:10:39,967
NOW, WATCH YOUR MOUTH BEFORE

476
00:10:39,967 --> 00:10:40,700
I SLAP BITCH YOU ASS.

477
00:10:40,700 --> 00:10:41,533
AND YOU'RE REALLY--

478
00:10:41,533 --> 00:10:42,567
YOU GOT TO WATCH ME.

479
00:10:42,567 --> 00:10:43,333
BITCH, I'LL KICK YOU DEAD

480
00:10:43,333 --> 00:10:44,033
IN YOUR BRACES.

481
00:10:44,033 --> 00:10:44,767
WATCH YOUR MOTHER[bleep]

482
00:10:44,767 --> 00:10:46,767
PIEHOLE.

483
00:10:52,200 --> 00:10:56,300
* I WANT TO GO

484
00:10:56,300 --> 00:10:57,967
♪ WITH YOU

485
00:10:57,967 --> 00:10:59,767
♪ TO THE END

486
00:10:59,767 --> 00:11:03,667
♪ I WANT TO KNOW

487
00:11:03,667 --> 00:11:04,367
♪ THAT YOU'RE HERE ♪

488
00:11:04,367 --> 00:11:05,667
TONIGHT I'M HOSTING A FASHION

489
00:11:05,667 --> 00:11:07,367
EVENT WITH RAFAEL COX, AND I

490
00:11:07,367 --> 00:11:08,900
DECIDED TO INVITE SHAY ALONG.

491
00:11:08,900 --> 00:11:10,233
THE LAST TIME HER AND I TALKED,

492
00:11:10,233 --> 00:11:11,500
WE HAD A HEART-TO-HEART ABOUT

493
00:11:11,500 --> 00:11:13,133
HER MOVING ON FROM SCRAPPY, AND

494
00:11:13,133 --> 00:11:14,267
THIS IS THE PERFECT EVENT FOR

495
00:11:14,267 --> 00:11:14,933
HER TO TRY IT OUT.

496
00:11:14,933 --> 00:11:17,200
SO I HAVE THE PLEASURE OF

497
00:11:17,200 --> 00:11:19,200
INTRODUCING DESIGNER

498
00:11:19,200 --> 00:11:21,400
RAFAEL COX'S NEW COLLECTION

499
00:11:21,400 --> 00:11:23,267
CALLED REDEMPTION.

500
00:11:23,267 --> 00:11:26,233
[cheers and applause]

501
00:11:26,233 --> 00:11:27,233
[energetic electronic music]

502
00:11:27,233 --> 00:11:35,167
♪

503
00:11:35,167 --> 00:11:36,067
* YEAH, UNTIL THE SUN

504
00:11:36,067 --> 00:11:36,800
♪ BURNS OUT

505
00:11:36,800 --> 00:11:37,733
♪ UH, UNTIL THE WHEELS

506
00:11:37,733 --> 00:11:38,800
♪ FALL OFF

507
00:11:38,800 --> 00:11:40,600
♪ YEAH, AND EVEN IF I GO BROKE

508
00:11:40,600 --> 00:11:41,600
♪ THEN I'M LOVING YOU ♪

509
00:11:41,600 --> 00:11:42,500
♪ WITHOUT CAUTION

510
00:11:42,500 --> 00:11:44,067
♪ YOU'RE ON MY MIND, MIND ♪

511
00:11:44,067 --> 00:11:45,067
♪ IT'S LIKE YOUR FACE ♪

512
00:11:45,067 --> 00:11:45,967
♪ IS ALL THAT I SEE

513
00:11:45,967 --> 00:11:47,967
♪ GIRL, ALL THE TIME, TIME

514
00:11:47,967 --> 00:11:48,867
♪ I SWEAR YOUR LOVE

515
00:11:48,867 --> 00:11:50,367
♪ IS ALL THAT I NEED

516
00:11:50,367 --> 00:11:51,967
♪ TELL ME WHAT YOU LIKE

517
00:11:51,967 --> 00:11:55,467
♪ WHERE YOU WANT TO GO

518
00:11:55,467 --> 00:11:56,633
I WANT EVERYBODY TO PUT YOUR

519
00:11:56,633 --> 00:11:57,800
HANDS TOGETHER FOR RAFAEL.

520
00:11:57,800 --> 00:11:59,600
[cheers and applause]

521
00:11:59,600 --> 00:12:02,500
* TO THE END

522
00:12:02,500 --> 00:12:03,767
WHEN I SAW SCRAPPY'S BABY MOM

523
00:12:03,767 --> 00:12:05,200
AS ONE OF THE SO-CALLED MODELS

524
00:12:05,200 --> 00:12:06,233
WITH THE PRONE STOMACH COMING

525
00:12:06,233 --> 00:12:07,300
OUT WALKING THE CATWALK,

526
00:12:07,300 --> 00:12:08,933
I WAS REALLY TRIPPING BECAUSE

527
00:12:08,933 --> 00:12:09,733
I DIDN'T WANT TO REALLY

528
00:12:09,733 --> 00:12:10,400
RUN INTO HER HERE.

529
00:12:10,400 --> 00:12:11,400
I'M HERE TO SUPPORT TRACI,

530
00:12:11,400 --> 00:12:12,067
AND THAT'S IT.

531
00:12:12,067 --> 00:12:12,867
BUT IT IS WHAT IT IS.

532
00:12:12,867 --> 00:12:14,067
IF IT GO DOWN, IT GO DOWN.

533
00:12:14,067 --> 00:12:14,800
THIS WAS HOT.

534
00:12:14,800 --> 00:12:15,500
I'M GLAD YOU CAME.

535
00:12:15,500 --> 00:12:17,667
I HAD NO IDEA

536
00:12:17,667 --> 00:12:19,867
SUCH AND SUCH WAS GONNA BE HERE.

537
00:12:19,867 --> 00:12:21,133
YEAH, I WANTED TO GO SAY HI.

538
00:12:21,133 --> 00:12:22,267
I JUST KNOW THAT THERE WAS A

539
00:12:22,267 --> 00:12:23,633
LITTLE TENSION, AND SHE SAID A

540
00:12:23,633 --> 00:12:24,367
COUPLE THINGS ABOUT ME--

541
00:12:24,367 --> 00:12:25,300
HOW DO WE STOP THAT?

542
00:12:25,300 --> 00:12:26,433
HOW DO WE STOP THE TENSION?

543
00:12:26,433 --> 00:12:27,233
WELL, EVENTUALLY, I THINK

544
00:12:27,233 --> 00:12:27,967
IT'S GONNA HAVE TO BE A

545
00:12:27,967 --> 00:12:29,400
CONVERSATION, BECAUSE SHE GETS

546
00:12:29,400 --> 00:12:32,067
HER INFORMATION FROM SCRAPPY.

547
00:12:32,067 --> 00:12:33,500
HAVE YOU SEEN HIM?

548
00:12:33,500 --> 00:12:34,300
SCRAPPY?

549
00:12:34,300 --> 00:12:35,467
YEAH.

550
00:12:35,467 --> 00:12:36,733
WHEN DID YOU SEE HIM?

551
00:12:36,733 --> 00:12:40,133
WE MET UP.

552
00:12:40,133 --> 00:12:41,067
THAT'S IT?

553
00:12:41,067 --> 00:12:41,933
[laughs]

554
00:12:41,933 --> 00:12:42,600
YOU MET UP?

555
00:12:42,600 --> 00:12:43,267
YEAH.

556
00:12:43,267 --> 00:12:44,600
FOR WHAT? FOR BREAKFAST?

557
00:12:44,600 --> 00:12:45,267
[laughs]

558
00:12:45,267 --> 00:12:46,367
IT'S LIKE WE HAD THIS

559
00:12:46,367 --> 00:12:47,467
CONNECTION THAT IS

560
00:12:47,467 --> 00:12:48,867
UNFORGETTABLE.

561
00:12:48,867 --> 00:12:51,267
I THINK Y'ALL SHOULD TALK.

562
00:12:51,267 --> 00:12:52,300
WHAT IS THE POINT OF THAT?

563
00:12:52,300 --> 00:12:53,967
JUST BECAUSE YOU ARE BEING AN

564
00:12:53,967 --> 00:12:55,067
ADULT AND YOU'RE SHOWING HER

565
00:12:55,067 --> 00:12:55,967
THAT YOU DON'T HAVE NO PROBLEM--

566
00:12:55,967 --> 00:12:57,233
I'M HERE AS AN ADULT FOR YOU

567
00:12:57,233 --> 00:12:57,900
JUST AS A FRIEND.

568
00:12:57,900 --> 00:12:59,067
AND I THINK FOR YOU TO HAVE--

569
00:12:59,067 --> 00:13:00,067
HEY, GIRL.

570
00:13:00,067 --> 00:13:01,167
GOOD JOB.

571
00:13:01,167 --> 00:13:02,200
HOW ARE YOU?

572
00:13:02,200 --> 00:13:03,300
I'M GOOD. HOW ARE YOU?

573
00:13:03,300 --> 00:13:04,167
YOU DID A GREAT JOB.

574
00:13:04,167 --> 00:13:04,833
THANK YOU.

575
00:13:04,833 --> 00:13:05,833
AND I WAS TELLING SHAY THAT

576
00:13:05,833 --> 00:13:07,267
YOU'RE HERE AND THAT SHE SHOULD

577
00:13:07,267 --> 00:13:08,867
COME SAY HIS TO YOU JUST TO--

578
00:13:08,867 --> 00:13:10,067
I CAME OVER TO SPEAK TO YOU.

579
00:13:10,067 --> 00:13:11,600
I CAME TO SAY HEY TO YOU.

580
00:13:11,600 --> 00:13:14,067
WELL, I APPRECIATE YOU COMING

581
00:13:14,067 --> 00:13:15,467
OVER HERE AND SPEAKING--

582
00:13:15,467 --> 00:13:16,133
AND STOP.

583
00:13:16,133 --> 00:13:16,867
YOU LOOK GOOD.

584
00:13:16,867 --> 00:13:17,700
COMING OVER--THANK YOU.

585
00:13:17,700 --> 00:13:18,367
I MEAN, PEOPLE--

586
00:13:18,367 --> 00:13:19,100
YOU WALKED OUT AND THEY WAS

587
00:13:19,100 --> 00:13:20,300
LIKE, "AH!"

588
00:13:20,300 --> 00:13:21,200
[laughs]

589
00:13:21,200 --> 00:13:21,900
I DO MY THANG.

590
00:13:21,900 --> 00:13:22,600
SO YOU DID A GREAT JOB.

591
00:13:22,600 --> 00:13:23,267
THANK YOU.

592
00:13:23,267 --> 00:13:24,200
AND I WAS TELLING SOMEBODY,

593
00:13:24,200 --> 00:13:26,267
LIKE, ERICA HAS A KID, AND I'M A

594
00:13:26,267 --> 00:13:27,067
SINGLE MOTHER, AND YOU'RE A

595
00:13:27,067 --> 00:13:27,700
SINGLE MOTHER.

596
00:13:27,700 --> 00:13:28,867
I THINK THAT WE SHOULD, I DON'T

597
00:13:28,867 --> 00:13:29,533
KNOW, JUST GO TO LUNCH

598
00:13:29,533 --> 00:13:30,200
AND JUST TALK.

599
00:13:30,200 --> 00:13:31,100
I HAVE TWO EYES.

600
00:13:31,100 --> 00:13:32,733
SO I CAN SE SHAY'S NOT EXACTLY

601
00:13:32,733 --> 00:13:34,200
COMFORTABLE IN MY PRESENCE.

602
00:13:34,200 --> 00:13:35,567
BUT I'M NOT HERE TO DO ALL THAT.

603
00:13:35,567 --> 00:13:37,167
IF YOU WANT TO ADDRESS ME, YOU

604
00:13:37,167 --> 00:13:38,800
CAN FIND ME SOME OTHER PLACE,

605
00:13:38,800 --> 00:13:40,067
SOME OTHER TIME.

606
00:13:40,067 --> 00:13:41,167
OKAY, WELL, I'LL SEE YOU LATER.

607
00:13:41,167 --> 00:13:41,833
JUST CAME TO SAY HEY.

608
00:13:41,833 --> 00:13:42,500
THANK YOU, HONEY.

609
00:13:42,500 --> 00:13:43,400
OKAY.

610
00:13:43,400 --> 00:13:44,900
I'LL SEE YOU.

611
00:13:44,900 --> 00:13:46,467
YOU DID GOOD.

612
00:13:46,467 --> 00:13:47,767
YEAH, BUT--

613
00:13:47,767 --> 00:13:48,433
I LET IT GO.

614
00:13:48,433 --> 00:13:50,967
DONE.

615
00:13:50,967 --> 00:13:51,967
[energetic electronic music]

616
00:13:51,967 --> 00:13:55,867
♪

617
00:13:55,867 --> 00:13:56,667
YOU LOOK NICE.

618
00:13:56,667 --> 00:13:57,333
THANK YOU.

619
00:13:57,333 --> 00:13:58,267
YOU RUN OUT OF BREATH?

620
00:13:58,267 --> 00:13:59,067
YEAH, I WAS WORKING OUT,

621
00:13:59,067 --> 00:13:59,700
YOU KNOW WHAT I MEAN?

622
00:13:59,700 --> 00:14:00,567
WHAT'S UP WITH YOU?

623
00:14:00,567 --> 00:14:01,233
NOTHING, YOU KNOW.

624
00:14:01,233 --> 00:14:02,100
YOU SMELL LIKE CIGARETTES.

625
00:14:02,100 --> 00:14:02,933
YOU BEEN SMOKING CIGARETTES?

626
00:14:02,933 --> 00:14:03,600
I DON'T SMELL LIKE

627
00:14:03,600 --> 00:14:04,267
CIGARETTES.

628
00:14:04,267 --> 00:14:05,067
YOU SMOKING CIGARETTES?

629
00:14:05,067 --> 00:14:05,733
NO.

630
00:14:05,733 --> 00:14:06,400
HUH?

631
00:14:06,400 --> 00:14:08,867
NO, I JUST CAME FROM OUTSIDE.

632
00:14:08,867 --> 00:14:10,067
I WANT TO INTRODUCE YOU TO

633
00:14:10,067 --> 00:14:10,933
YOUR NEW BOYFRIEND.

634
00:14:10,933 --> 00:14:12,700
WHO IS HE?

635
00:14:12,700 --> 00:14:13,833
TOMMY TREADMILL.

636
00:14:13,833 --> 00:14:15,333
WHAT I GOT TO DO?

637
00:14:15,333 --> 00:14:16,633
I THINK CHE' MACK IS COOL,

638
00:14:16,633 --> 00:14:18,100
A LITTLE OLD-FASHION, BUT YOU

639
00:14:18,100 --> 00:14:19,433
KNOW, I CAN WHIP HER INTO SHAPE.

640
00:14:19,433 --> 00:14:20,967
BUT THERE'S JUST ONE PROBLEM.

641
00:14:20,967 --> 00:14:21,833
I DON'T WANT TO PISS OFF

642
00:14:21,833 --> 00:14:23,500
JOSELINE, SO I JUST WANT THEM TO

643
00:14:23,500 --> 00:14:25,133
MAKE A NICE LITTLE INTRODUCTION.

644
00:14:25,133 --> 00:14:27,067
GOOD GUY STYLE.

645
00:14:27,067 --> 00:14:28,467
ARE YOU READY FOR ME YET?

646
00:14:28,467 --> 00:14:29,467
YOU KNOW I GOT A LITTLE

647
00:14:29,467 --> 00:14:30,467
SITUATION, RIGHT?

648
00:14:30,467 --> 00:14:32,533
THAT HAS NOTHING TO DO

649
00:14:32,533 --> 00:14:34,433
WITH ME.

650
00:14:34,433 --> 00:14:35,100
IT DOES.

651
00:14:35,100 --> 00:14:36,400
IT DOESN'T UNLESS YOU

652
00:14:36,400 --> 00:14:37,067
MAKE IT.

653
00:14:37,067 --> 00:14:38,533
I'M NOT TRYING TO BE THE

654
00:14:38,533 --> 00:14:39,667
[bleep] HURTING--RUNNING AROUND

655
00:14:39,667 --> 00:14:40,767
JUST HURTING CHICKS.

656
00:14:40,767 --> 00:14:41,833
THAT'S NOT COOL.

657
00:14:41,833 --> 00:14:43,100
I DON'T WANT THAT ON MY BACK NO

658
00:14:43,100 --> 00:14:43,967
MORE, YOU KNOW WHAT I'M SAYING?

659
00:14:43,967 --> 00:14:45,067
SO IF I'MA DO SOMETHING,

660
00:14:45,067 --> 00:14:45,933
THEN I JUST WANT TO DO IT RIGHT.

661
00:14:45,933 --> 00:14:46,667
MA, NOW, SEE, YOU GOT TO

662
00:14:46,667 --> 00:14:47,667
RESPECT THAT.

663
00:14:47,667 --> 00:14:49,167
I AIN'T EVEN SMELL YOUR NECK,

664
00:14:49,167 --> 00:14:51,067
LET ALONE [bleep] YOUR [bleep].

665
00:14:51,067 --> 00:14:51,667
YEAH.

666
00:14:51,667 --> 00:14:52,400
COME ON, DON'T PUT THAT

667
00:14:52,400 --> 00:14:53,067
ON ME.

668
00:14:53,067 --> 00:14:53,900
I DON'T WANT TO HURT HER,

669
00:14:53,900 --> 00:14:54,633
YOU KNOW WHAT I'M SAYING?

670
00:14:54,633 --> 00:14:55,433
WHY, THOUGH?

671
00:14:55,433 --> 00:14:56,467
IT'S NOT WHAT I'M INTO.

672
00:14:56,467 --> 00:14:57,267
YOU'RE NOT HURT--

673
00:14:57,267 --> 00:14:58,533
HURTING HER HOW?

674
00:14:58,533 --> 00:14:59,867
IF SHE KNEW I WAS HERE, IF

675
00:14:59,867 --> 00:15:01,633
SHE KNEW I CAME TO YOUR HOUSE,

676
00:15:01,633 --> 00:15:02,567
YOU KNOW WHAT I'M SAYING?

677
00:15:02,567 --> 00:15:04,167
YO, YOU REALLY BUGGING, MAN.

678
00:15:04,167 --> 00:15:04,833
LIKE, DO YOU LOVE HER

679
00:15:04,833 --> 00:15:05,500
OR SOMETHING?

680
00:15:05,500 --> 00:15:06,300
YOU LOVE HER?

681
00:15:06,300 --> 00:15:07,233
ARE YOU IN LOVE WITH HER?

682
00:15:07,233 --> 00:15:08,067
I LOVE HER, YEAH.

683
00:15:08,067 --> 00:15:08,800
ARE YOU IN LOVE WITH HER?

684
00:15:08,800 --> 00:15:09,467
I LOVE HER.

685
00:15:09,467 --> 00:15:10,200
ARE YOU IN LOVE?

686
00:15:10,200 --> 00:15:11,067
I LOVE HER.

687
00:15:11,067 --> 00:15:11,800
THAT'S NOT ANSWERING MY

688
00:15:11,800 --> 00:15:12,467
QUESTION.

689
00:15:12,467 --> 00:15:13,500
I SAID ARE--

690
00:15:13,500 --> 00:15:14,200
WE BUILDING SOMETHING

691
00:15:14,200 --> 00:15:14,900
FANTASTIC.

692
00:15:14,900 --> 00:15:15,900
JUST HEAR ME OUT, BABY.

693
00:15:15,900 --> 00:15:17,367
ARE YOU WILLING TO SIT DOWN AND

694
00:15:17,367 --> 00:15:18,400
HAVE A CONVERSATION SO WE CAN

695
00:15:18,400 --> 00:15:19,533
FIND OUT WHAT THE NEXT LEVEL--

696
00:15:19,533 --> 00:15:20,467
WHAT WE DOING?

697
00:15:20,467 --> 00:15:21,333
WHAT DO YOU WANT ME TO SAY?

698
00:15:21,333 --> 00:15:22,300
I WANT YOU TO SAY, "I AIN'T

699
00:15:22,300 --> 00:15:23,233
GOT NO PROBLEM WITH YOU, BAH,

700
00:15:23,233 --> 00:15:25,233
BAH, BAH, UH, UH, LET'S WORK."

701
00:15:25,233 --> 00:15:26,067
YOU KNOW WHAT I'M SAYING?

702
00:15:26,067 --> 00:15:27,200
I MEAN, YEAH, I'LL SIT DOWN

703
00:15:27,200 --> 00:15:28,167
AND TALK TO HER,

704
00:15:28,167 --> 00:15:28,833
BUT SHE GOT TO--

705
00:15:28,833 --> 00:15:30,533
AH, AH, DON'T SAY "BUT."

706
00:15:30,533 --> 00:15:32,133
DON'T--IF YOU SAY "BUT," THEN

707
00:15:32,133 --> 00:15:32,833
YOU TOTALLY NEGATE

708
00:15:32,833 --> 00:15:33,567
ANYTHING YOU SAID.

709
00:15:33,567 --> 00:15:34,400
ALL RIGHT, I'MA TALK TO HER.

710
00:15:34,400 --> 00:15:35,067
ALL RIGHT, COOL.

711
00:15:35,067 --> 00:15:35,733
SHE GOT TO CHOSE.

712
00:15:35,733 --> 00:15:36,400
IT'S SIMPLE.

713
00:15:36,400 --> 00:15:37,233
SO LET'S GET IT, MA.

714
00:15:37,233 --> 00:15:38,767
YOU GO AHEAD AND GET WITH YOUR

715
00:15:38,767 --> 00:15:40,233
MAN HERE.

716
00:15:40,233 --> 00:15:41,067
ALL RIGHT?

717
00:15:41,067 --> 00:15:41,900
ALL RIGHT.

718
00:15:41,900 --> 00:15:43,900
SEE YOU LATER, BABY.

719
00:15:45,367 --> 00:15:46,367
[rock music]

720
00:15:46,367 --> 00:15:53,467
♪

721
00:15:53,467 --> 00:15:54,600
I REALLY DON'T LIKE BEING

722
00:15:54,600 --> 00:15:56,133
HOME RIGHT NOW 'CAUSE IT'S REAL

723
00:15:56,133 --> 00:15:57,100
TENSE IN THE PLACE.

724
00:15:57,100 --> 00:15:58,367
BUT WHEN ZINO HIT ME UP AND SAY,

725
00:15:58,367 --> 00:15:59,433
"YO, I JUST CLOSED THE DEAL.

726
00:15:59,433 --> 00:16:00,333
I'MA HAVE A PARTY.

727
00:16:00,333 --> 00:16:01,367
I'MA HAVE STRIPPERS AND ALL

728
00:16:01,367 --> 00:16:02,333
THAT," I'M LIKE, "YO, YOU AIN'T

729
00:16:02,333 --> 00:16:03,500
GOT TO TWIST MY ARM.

730
00:16:03,500 --> 00:16:04,200
HERE I COME.

731
00:16:04,200 --> 00:16:05,267
LET'S GET IT."

732
00:16:05,267 --> 00:16:05,933
WHAT HAPPENED?

733
00:16:05,933 --> 00:16:07,133
I MEAN, FROM THE LAST TIME WE

734
00:16:07,133 --> 00:16:07,833
TALKED, YOU KNOW WHAT I'M

735
00:16:07,833 --> 00:16:08,667
SAYING, HOW DID IT GO?

736
00:16:08,667 --> 00:16:09,733
WE TALKED FOR A MINUTE, THEN

737
00:16:09,733 --> 00:16:11,467
SHE GETS TO THE BOMB DROPPER,

738
00:16:11,467 --> 00:16:12,133
TO BE HONEST WITH YOU.

739
00:16:12,133 --> 00:16:15,133
SHE TELL ME, "YO, I'M PREGNANT."

740
00:16:17,067 --> 00:16:18,467
AND I'M SITTING HERE LIKE,

741
00:16:18,467 --> 00:16:20,700
"ON THE REAL, YO?"

742
00:16:20,700 --> 00:16:21,367
I KNOW--

743
00:16:21,367 --> 00:16:22,467
YO, B, WE MIGHT NEED SOME

744
00:16:22,467 --> 00:16:23,933
MORE DRINKS OVER HERE, BABY.

745
00:16:23,933 --> 00:16:25,533
WE NEED EVERYTHING.

746
00:16:25,533 --> 00:16:27,667
I'M LIKE, "I KNOW YOU [bleep]

747
00:16:27,667 --> 00:16:28,667
WITH ME RIGHT NOW."

748
00:16:28,667 --> 00:16:29,633
AND I'M SITTING HERE LIKE,

749
00:16:29,633 --> 00:16:31,267
"LISTEN, I BEEN RAISING MY SON

750
00:16:31,267 --> 00:16:32,233
FOR 22 YEARS.

751
00:16:32,233 --> 00:16:33,700
WE HAPPY ABOUT BEING ABLE

752
00:16:33,700 --> 00:16:34,433
TO MOVE ON."

753
00:16:34,433 --> 00:16:36,400
AND FOR HER TO POP THIS UP--

754
00:16:36,400 --> 00:16:37,533
'CAUSE WHEN SHE STOPPED TAKING

755
00:16:37,533 --> 00:16:38,800
THE PILL, SAID, "MY BODY NEED A

756
00:16:38,800 --> 00:16:39,933
BREAK," AND I REALLY WAS KIND

757
00:16:39,933 --> 00:16:40,600
OF WAS LIKE, "I DON'T--"

758
00:16:40,600 --> 00:16:42,067
BUT YOU DON'T REMEMBER THAT?

759
00:16:42,067 --> 00:16:43,067
I MEAN, YOU GOT TO SEE THIS.

760
00:16:43,067 --> 00:16:44,600
SHE GAVE YOU THE SIGN.

761
00:16:44,600 --> 00:16:45,733
"MY BODY NEED A BREAK."

762
00:16:45,733 --> 00:16:46,800
THAT WAS--IN OTHER WORDS...

763
00:16:46,800 --> 00:16:48,300
OKAY, AND HERE'S MY POINT.

764
00:16:48,300 --> 00:16:48,967
NO MORE PILL,

765
00:16:48,967 --> 00:16:49,767
YOU KNOW WHAT I'M SAYING?

766
00:16:49,767 --> 00:16:50,667
WE BEEN USING CONDOMS, AND I

767
00:16:50,667 --> 00:16:51,967
BEEN TAKING IT OUT, YOU GET WHAT

768
00:16:51,967 --> 00:16:52,633
I'M SAYING?

769
00:16:52,633 --> 00:16:54,167
NO, HOLD ON, HOLD ON, NO, NO.

770
00:16:54,167 --> 00:16:54,833
WITH THE WIFE.

771
00:16:54,833 --> 00:16:55,700
THE FIRST PART I UNDERSTAND,

772
00:16:55,700 --> 00:16:56,567
RIGHT?

773
00:16:56,567 --> 00:16:57,867
BUT THE SECOND PART, WHAT DO YOU

774
00:16:57,867 --> 00:16:58,933
MEAN, TAKING IT OUT?

775
00:16:58,933 --> 00:17:00,133
WHEN I GETTING READY TO

776
00:17:00,133 --> 00:17:01,733
[bleep], I TAKE IT OUT.

777
00:17:01,733 --> 00:17:03,067
MAN, LISTEN.

778
00:17:03,067 --> 00:17:04,233
YOU HEARD OF PRE-[bleep]?

779
00:17:04,233 --> 00:17:05,267
YOU MIGHT HAVE HAD THAT--

780
00:17:05,267 --> 00:17:05,933
THAT'S THE SAME--

781
00:17:05,933 --> 00:17:06,633
LISTEN, YOU GOT TO HAVE

782
00:17:06,633 --> 00:17:07,533
SUPER SPERM.

783
00:17:07,533 --> 00:17:08,367
IT ONLY TAKE ONE LITTLE--

784
00:17:08,367 --> 00:17:09,633
LIKE, THERE'S 7 MILLION OF THEM.

785
00:17:09,633 --> 00:17:10,900
IT ONLY TAKE ONE.

786
00:17:10,900 --> 00:17:12,067
ONE.

787
00:17:12,067 --> 00:17:12,800
BUT--BUT--

788
00:17:12,800 --> 00:17:13,667
YOU CAN'T--THERE'S NO MORE

789
00:17:13,667 --> 00:17:14,333
TAKE IT OUT.

790
00:17:14,333 --> 00:17:15,967
MAN, TAKING OUT WAS IN THE

791
00:17:15,967 --> 00:17:18,067
'80s, '90s, YOU KNOW WHAT I'M

792
00:17:18,067 --> 00:17:18,667
SAYING?

793
00:17:18,667 --> 00:17:19,333
WHAT Y'ALL GONNA DO?

794
00:17:19,333 --> 00:17:20,067
I MEAN...

795
00:17:20,067 --> 00:17:23,133
IF--IF--IF THIS WASN'T MY

796
00:17:23,133 --> 00:17:26,600
WIFE, SHE'D BE HAVING AN A.B.

797
00:17:26,600 --> 00:17:27,700
SHE'D BE HAVING AN ABORTION

798
00:17:27,700 --> 00:17:28,633
RIGHT NOW 'CAUSE I AIN'T

799
00:17:28,633 --> 00:17:29,367
READY FOR IT.

800
00:17:29,367 --> 00:17:30,067
I'M BEING HONEST.

801
00:17:30,067 --> 00:17:30,700
THIS IS LIKE--

802
00:17:30,700 --> 00:17:31,367
THIS IS TOO DEEP.

803
00:17:31,367 --> 00:17:32,067
THIS IS...

804
00:17:32,067 --> 00:17:33,100
NO, I'M JUST SAYING FOR REAL,

805
00:17:33,100 --> 00:17:34,067
YO.

806
00:17:34,067 --> 00:17:35,333
EVERYTHING THAT'S GOING ON RIGHT

807
00:17:35,333 --> 00:17:36,100
NOW--

808
00:17:36,100 --> 00:17:36,767
YO, I GOT TO SIT DOWN

809
00:17:36,767 --> 00:17:37,600
WITH THIS.

810
00:17:37,600 --> 00:17:38,400
THIS AIN'T WHAT I WAS

811
00:17:38,400 --> 00:17:39,367
PREPARED FOR.

812
00:17:39,367 --> 00:17:40,433
WHEN I INVITED KIRK OVER TO

813
00:17:40,433 --> 00:17:41,300
COME CHILL WITH ME AND THE

814
00:17:41,300 --> 00:17:42,700
LADIES, I THOUGHT HE WAS GONNA

815
00:17:42,700 --> 00:17:44,133
COME, LIKE, YOU KNOW, SIT BACK,

816
00:17:44,133 --> 00:17:45,367
RELAX, HAVE A DRINK.

817
00:17:45,367 --> 00:17:47,333
BUT IT'S LIKE, HE'S COMING OVER

818
00:17:47,333 --> 00:17:50,133
WITH ABORTIONS AND PULLING OUT,

819
00:17:50,133 --> 00:17:51,933
AND IT'S LIKE, OH, MAN, NAH.

820
00:17:51,933 --> 00:17:52,933
LIKE, I DON'T EVEN WANT TO HEAR

821
00:17:52,933 --> 00:17:53,600
NONE OF THAT.

822
00:17:53,600 --> 00:17:54,867
IF YOU WAS IN MY SHOES RIGHT

823
00:17:54,867 --> 00:17:55,733
NOW IN THE HOUSEHOLD--

824
00:17:55,733 --> 00:17:56,967
WELL, I MEAN, LISTEN--

825
00:17:56,967 --> 00:17:58,333
THE ATTITUDE, THE BITCHING

826
00:17:58,333 --> 00:17:59,067
BACK AND FORTH--

827
00:17:59,067 --> 00:17:59,833
BUT YOU GOT TO PUT YOURSELF

828
00:17:59,833 --> 00:18:01,833
IN HER HIGH HEELS FOR A MINUTE.

829
00:18:01,833 --> 00:18:04,467
ABORTION IS--THAT'S NOT A EASY

830
00:18:04,467 --> 00:18:05,967
THING FOR WOMEN TO GO THROUGH.

831
00:18:05,967 --> 00:18:07,267
AT THE END OF THE DAY, YOU'RE

832
00:18:07,267 --> 00:18:08,333
GONNA HAVE TO REALLY BE THERE

833
00:18:08,333 --> 00:18:09,067
FOR HER.

834
00:18:09,067 --> 00:18:09,933
SHE NEED TO LOOK AT WHERE SHE

835
00:18:09,933 --> 00:18:10,700
TRYING TO GO.

836
00:18:10,700 --> 00:18:11,533
HEY, IF Y'ALL KEEP IT, I

837
00:18:11,533 --> 00:18:13,067
WANT TO BE THE GODFATHER.

838
00:18:13,067 --> 00:18:15,367
I'D BE A GREAT GODFATHER, YO.

839
00:18:15,367 --> 00:18:16,333
LOOK, LOOK, YOU HAVE TO GO

840
00:18:16,333 --> 00:18:17,067
TALK WITH HER, KIRK.

841
00:18:17,067 --> 00:18:17,833
THERE'S NO OTHER WAY.

842
00:18:17,833 --> 00:18:18,733
YOU'RE GONNA HAVE TO COME UP

843
00:18:18,733 --> 00:18:20,133
WITH SOME TYPE OF DECISION.

844
00:18:20,133 --> 00:18:21,200
WHATEVER THE DECISION IS,

845
00:18:21,200 --> 00:18:22,667
YOU KNOW I GOT YOUR BACK.

846
00:18:22,667 --> 00:18:23,633
YOU KNOW WHAT I'M SAYING?

847
00:18:23,633 --> 00:18:24,633
LET'S TOAST TO THE PULLOUT

848
00:18:24,633 --> 00:18:25,800
ASSASSIN KIRK FROST.

849
00:18:25,800 --> 00:18:27,933
[laughter]

850
00:18:27,933 --> 00:18:28,933
THAT DIDN'T WORK.

851
00:18:28,933 --> 00:18:30,933
[laughs]

852
00:18:31,867 --> 00:18:32,900
SO YOU NEVER GONNA DO A SONG

853
00:18:32,900 --> 00:18:33,567
WITH ME, JOSELINE?

854
00:18:33,567 --> 00:18:34,633
THIS CONVERSATION IS OVER,

855
00:18:34,633 --> 00:18:35,833
'CAUSE FOR REAL, I DON'T NEED TO

856
00:18:35,833 --> 00:18:36,867
WASTE MY TIME WITH Y'ALL.

857
00:18:36,867 --> 00:18:37,733
ALL RIGHT, I'LL HAVE MY

858
00:18:37,733 --> 00:18:38,700
PEOPLE CALL YOUR PEOPLE.

859
00:18:38,700 --> 00:18:39,767
YOU SOUND STUPID, AND YOU

860
00:18:39,767 --> 00:18:40,800
SOUND A MESS, BITCH.

861
00:18:40,800 --> 00:18:42,800
TIC-TAC-TOE.

862
00:18:53,400 --> 00:18:54,233
SO I'VE BEEN MEETING WITH

863
00:18:54,233 --> 00:18:55,500
CONTRACTORS ABOUT THE BUILD-OUT

864
00:18:55,500 --> 00:18:57,067
OF THE STORE, BUT THERE'S ONE

865
00:18:57,067 --> 00:18:57,833
THING MISSING:

866
00:18:57,833 --> 00:18:58,900
TRACI'S HALF.

867
00:18:58,900 --> 00:19:02,167
TRACI, SHOW ME THE MONEY.

868
00:19:02,167 --> 00:19:03,067
WHAT KIND OF PERMITS DO YOU

869
00:19:03,067 --> 00:19:03,933
NEED FOR THE BUILD-OUT?

870
00:19:03,933 --> 00:19:05,067
GO TO THE CITY, PULL THE

871
00:19:05,067 --> 00:19:06,333
PERMITS, AND JUST MAKE SURE.

872
00:19:06,333 --> 00:19:08,067
YEAH, 'CAUSE WE GOT THE

873
00:19:08,067 --> 00:19:09,067
LICENSE AND ALL THAT STUFF,

874
00:19:09,067 --> 00:19:09,833
SO...

875
00:19:09,833 --> 00:19:10,533
WHAT UP?

876
00:19:10,533 --> 00:19:11,333
HI, HELLO.

877
00:19:11,333 --> 00:19:12,667
I SEE YOU GOT AN ENVELOPE.

878
00:19:12,667 --> 00:19:14,500
I GOT SOMETHING.

879
00:19:14,500 --> 00:19:16,067
I GOT SOMETHING ELSE.

880
00:19:16,067 --> 00:19:16,667
I'M CONFUSED.

881
00:19:16,667 --> 00:19:17,900
WHAT'S GOING ON RIGHT NOW?

882
00:19:17,900 --> 00:19:19,233
WELL, I WANTED TO BRING

883
00:19:19,233 --> 00:19:20,900
SOMEONE WHO I FEEL LIKE WILL DO

884
00:19:20,900 --> 00:19:23,167
A GREAT JOB AND HE'LL BE ABLE TO

885
00:19:23,167 --> 00:19:24,900
REALLY HELP YOU WITH THE STORE.

886
00:19:24,900 --> 00:19:25,633
WAIT, HOW YOU GONNA HAVE

887
00:19:25,633 --> 00:19:26,367
A WHOLE INTERVIEW PROCESS

888
00:19:26,367 --> 00:19:27,067
WITHOUT ME?

889
00:19:27,067 --> 00:19:27,700
LIKE, I DON'T EVEN...

890
00:19:27,700 --> 00:19:29,700
I JUST FELT LIKE IT WOULD GO

891
00:19:29,700 --> 00:19:31,167
SMOOTHER WITHOUT YOU, AND YOU

892
00:19:31,167 --> 00:19:32,500
HAVE A LOT ON YOUR PLATE, SO I

893
00:19:32,500 --> 00:19:33,700
DID AN INTERVIEW PROCESS,

894
00:19:33,700 --> 00:19:35,067
I FOUND THE BEST CANDIDATE,

895
00:19:35,067 --> 00:19:36,267
AND I BROUGHT THE BEST CANDIDATE

896
00:19:36,267 --> 00:19:37,067
TO YOU.

897
00:19:37,067 --> 00:19:38,300
I'M FINALLY READY TO INVEST WITH

898
00:19:38,300 --> 00:19:39,800
DREW BUT ON MY TERMS.

899
00:19:39,800 --> 00:19:41,367
I'M TIRED OF HIM NOT TAKING THIS

900
00:19:41,367 --> 00:19:42,300
PROCESS SERIOUSLY.

901
00:19:42,300 --> 00:19:44,133
HE'D RATHER INTERVIEW GROUPIE

902
00:19:44,133 --> 00:19:45,900
HOS THAN INTERVIEW QUALIFIED

903
00:19:45,900 --> 00:19:46,800
CANDIDATES.

904
00:19:46,800 --> 00:19:49,133
THAT ALL CHANGES STARTING TODAY.

905
00:19:49,133 --> 00:19:49,800
YOU SERIOUS?

906
00:19:49,800 --> 00:19:50,733
I'M SERIOUS.

907
00:19:50,733 --> 00:19:51,867
THAT LAST INTERVIEW WAS

908
00:19:51,867 --> 00:19:52,633
HORRIBLE.

909
00:19:52,633 --> 00:19:53,400
IT WENT TO THE LEFT--

910
00:19:53,400 --> 00:19:54,267
I DON'T AGREE IT WAS

911
00:19:54,267 --> 00:19:54,933
HORRIBLE.

912
00:19:54,933 --> 00:19:55,600
THE GIRLS LOOKED GOOD.

913
00:19:55,600 --> 00:19:56,733
THEY WERE...

914
00:19:56,733 --> 00:19:57,533
THEY WERE PRETTY.

915
00:19:57,533 --> 00:19:58,533
THEY JUST DIDN'T BRING RESUMES.

916
00:19:58,533 --> 00:20:00,067
ALL YOU HAD WAS MODEL HOS.

917
00:20:00,067 --> 00:20:00,833
I GOT THAT, BUT YOU CAN'T

918
00:20:00,833 --> 00:20:01,700
HAVE AN INTERVIEW

919
00:20:01,700 --> 00:20:02,400
PROCESS WITHOUT ME.

920
00:20:02,400 --> 00:20:03,600
IF I HAD YOU THERE, IT WOULD

921
00:20:03,600 --> 00:20:04,467
HAVE WENT TO THE LEFT AGAIN,

922
00:20:04,467 --> 00:20:05,400
AND YOU WOULD HAVE HAD MORE

923
00:20:05,400 --> 00:20:06,967
VIDEO HOS WALKING

924
00:20:06,967 --> 00:20:07,633
DOWN THE DOOR.

925
00:20:07,633 --> 00:20:08,300
HOW DO YOU KNOW HIM?

926
00:20:08,300 --> 00:20:09,167
YOU [bleep] HIM?

927
00:20:09,167 --> 00:20:11,767
[laughs]

928
00:20:11,767 --> 00:20:12,800
ARE YOU SERIOUS?

929
00:20:12,800 --> 00:20:13,500
LISTEN.

930
00:20:13,500 --> 00:20:14,167
IT'S A QUESTION.

931
00:20:14,167 --> 00:20:15,133
WHAT MATTERS TO ME IS THAT WE

932
00:20:15,133 --> 00:20:16,233
PUT GOOD PEOPLE IN HERE,

933
00:20:16,233 --> 00:20:17,100
NOT VIDEO HOS.

934
00:20:17,100 --> 00:20:17,833
NO, WE NEED SOME

935
00:20:17,833 --> 00:20:18,800
EYE CANDY NOW.

936
00:20:18,800 --> 00:20:19,500
NOT SAYING YOU UGLY, BRO.

937
00:20:19,500 --> 00:20:20,700
I'M NOT SAYING THAT.

938
00:20:20,700 --> 00:20:21,967
I DON'T REALLY JUDGE DUDES,

939
00:20:21,967 --> 00:20:22,667
BUT I'M JUST SAYING--

940
00:20:22,667 --> 00:20:23,367
I WANT TO USE HIM--

941
00:20:23,367 --> 00:20:24,033
MY GUY.

942
00:20:24,033 --> 00:20:24,700
COME HERE.

943
00:20:24,700 --> 00:20:25,367
LET'S SEE YOUR RESUME.

944
00:20:25,367 --> 00:20:26,300
YES.

945
00:20:26,300 --> 00:20:27,533
AND THEN ONE YOU AGREE WITH ME--

946
00:20:27,533 --> 00:20:28,567
YOU GOT SOME FRESH "J"s ON.

947
00:20:28,567 --> 00:20:29,233
ALL RIGHT.

948
00:20:29,233 --> 00:20:29,967
YOU GOT SOME 4s.

949
00:20:29,967 --> 00:20:30,800
I SEE YOU.

950
00:20:30,800 --> 00:20:31,667
HE'S WORKED IN

951
00:20:31,667 --> 00:20:32,700
SNEAKER STORES.

952
00:20:32,700 --> 00:20:34,400
HE HAS MANAGED SNEAKER STORES.

953
00:20:34,400 --> 00:20:35,233
OH, HE GOT A DEGREE.

954
00:20:35,233 --> 00:20:35,967
HE IS FLEXIBLE.

955
00:20:35,967 --> 00:20:36,800
SO HE'S HIRED.

956
00:20:36,800 --> 00:20:37,500
HERE YOU GO.

957
00:20:37,500 --> 00:20:38,367
WHAT DO YOU MEAN, "HE'S GOOD.

958
00:20:38,367 --> 00:20:39,033
HE'S HIRED"?

959
00:20:39,033 --> 00:20:39,767
GIVE ME THIS ANYWAY, BUT--

960
00:20:39,767 --> 00:20:40,433
HE'S HIRED.

961
00:20:40,433 --> 00:20:41,200
BUT HOW YOU GONNA HIRE HIM

962
00:20:41,200 --> 00:20:41,867
WITHOUT ME?

963
00:20:41,867 --> 00:20:42,533
THANK YOU.

964
00:20:42,533 --> 00:20:43,500
SO WE DON'T HAVE TO ARGUE AND

965
00:20:43,500 --> 00:20:44,300
COMPLAIN AND FIGHT ANYMORE.

966
00:20:44,300 --> 00:20:45,100
DON'T GO NOWHERE. HOLD ON.

967
00:20:45,100 --> 00:20:45,900
LET ME CHECK THIS RESUME OUT.

968
00:20:45,900 --> 00:20:47,033
HE'S HIRED.

969
00:20:47,033 --> 00:20:48,700
YOU'RE A BARBER TOO?

970
00:20:48,700 --> 00:20:49,600
SO, LIKE--

971
00:20:49,600 --> 00:20:50,433
LITTLE OF EVERYTHING.

972
00:20:50,433 --> 00:20:51,367
SO I COULD GET A LINEUP AT

973
00:20:51,367 --> 00:20:52,067
THE END OF THE DAY?

974
00:20:52,067 --> 00:20:53,100
ALL THAT.

975
00:20:53,100 --> 00:20:53,867
ANYTHING YOU NEED.

976
00:20:53,867 --> 00:20:54,567
OH, MY GOD.

977
00:20:54,567 --> 00:20:56,200
JUST SAY I DID GOOD.

978
00:20:56,200 --> 00:20:57,067
OFF THE RESUME, YOU DID GOOD.

979
00:20:57,067 --> 00:20:57,733
THANK YOU.

980
00:20:57,733 --> 00:20:58,400
I GOT TO FEEL HIM OUT A

981
00:20:58,400 --> 00:20:59,067
LITTLE BIT.

982
00:20:59,067 --> 00:20:59,733
I GOT TO SEE WHAT MY FIRST

983
00:20:59,733 --> 00:21:00,533
LINEUP LOOKS LIKE.

984
00:21:00,533 --> 00:21:01,367
ALL RIGHT, WE'RE GONNA GET

985
00:21:01,367 --> 00:21:02,233
OUT OF HERE.

986
00:21:02,233 --> 00:21:03,267
TOGETHER.

987
00:21:03,267 --> 00:21:04,167
[laughs]

988
00:21:04,167 --> 00:21:06,333
COME HOLD MY HAND, HONEY?

989
00:21:06,333 --> 00:21:07,467
[laughs]

990
00:21:07,467 --> 00:21:08,133
I'LL SEE YOU LATER.

991
00:21:08,133 --> 00:21:08,833
SEE YOU TOMORROW.

992
00:21:08,833 --> 00:21:09,500
I DID GOOD.

993
00:21:09,500 --> 00:21:10,300
JUST SAY I DID GOOD.

994
00:21:10,300 --> 00:21:11,100
Y'ALL ABOUT TO GO ON A DATE

995
00:21:11,100 --> 00:21:11,767
NOW?

996
00:21:11,767 --> 00:21:12,767
OH, GOD.

997
00:21:12,767 --> 00:21:13,867
I SEE HOW YOU LOOK AT HIM.

998
00:21:13,867 --> 00:21:15,200
OH, JESUS.

999
00:21:15,200 --> 00:21:17,200
[laughs]

1000
00:21:22,067 --> 00:21:23,133
MERLOT, DO YOU SEE WHAT

1001
00:21:23,133 --> 00:21:24,067
YOU'VE DONE?

1002
00:21:24,067 --> 00:21:26,533
YOU'VE PEED ON THE PALACE FLOOR.

1003
00:21:26,533 --> 00:21:28,267
[knock on door]

1004
00:21:28,267 --> 00:21:29,833
SCRAPPY MAY HAVE TOOK HIS

1005
00:21:29,833 --> 00:21:31,300
LUGGAGE OUT, BUT HE LEFT HIS

1006
00:21:31,300 --> 00:21:32,900
DAMN DOG BEHIND.

1007
00:21:32,900 --> 00:21:34,333
I AIN'T NO [bleep] KEEPER.

1008
00:21:34,333 --> 00:21:37,200
I HIRE PEOPLE LIKE MIHAN

1009
00:21:37,200 --> 00:21:37,933
TO DO THAT.

1010
00:21:37,933 --> 00:21:40,267
MIHAN!

1011
00:21:40,267 --> 00:21:42,100
GET YOUR POOPER SCOOPER.

1012
00:21:42,100 --> 00:21:43,700
HI. COME ON IN.

1013
00:21:43,700 --> 00:21:44,433
I'M B. GOOD

1014
00:21:44,433 --> 00:21:45,200
HI, B. GOOD.

1015
00:21:45,200 --> 00:21:45,933
I'M MOMMA DEE.

1016
00:21:45,933 --> 00:21:46,600
NICE TO MEET YOU.

1017
00:21:46,600 --> 00:21:48,467
SO I CALLED UP THE DOG

1018
00:21:48,467 --> 00:21:50,067
WHISPERER SO I CAN GET SOME

1019
00:21:50,067 --> 00:21:52,100
PROFESSIONAL HELP ON THIS ISSUE

1020
00:21:52,100 --> 00:21:52,867
AT HAND.

1021
00:21:52,867 --> 00:21:54,700
NOW, TYLER BELONGS TO ME.

1022
00:21:54,700 --> 00:21:56,400
HE'S ON POINT.

1023
00:21:56,400 --> 00:22:00,100
AND MERLOT HAS BEEN TREATED SO

1024
00:22:00,100 --> 00:22:04,267
BAD BY MY SON'S EX-FIANCE,

1025
00:22:04,267 --> 00:22:07,233
ERICA, AND HE'S BEEN POOPING AND

1026
00:22:07,233 --> 00:22:08,933
PEEING, AND I JUST GOT THROUGH

1027
00:22:08,933 --> 00:22:10,433
GETTING IT UP OFF THE FLOOR.

1028
00:22:10,433 --> 00:22:11,833
YOU KNOW, THE CHAMBERMAIDS ARE

1029
00:22:11,833 --> 00:22:12,967
OFF, AND I CAN'T DO IT.

1030
00:22:12,967 --> 00:22:14,067
THE QUEEN--I JUST CAN'T.

1031
00:22:14,067 --> 00:22:14,767
OKAY.

1032
00:22:14,767 --> 00:22:15,467
SO I NEED YOUR HELP.

1033
00:22:15,467 --> 00:22:16,900
I NEED YOU TO READ INTO HIS MIND

1034
00:22:16,900 --> 00:22:18,233
AND TELL ME HOW CAN I BEST

1035
00:22:18,233 --> 00:22:19,100
HELP HIM.

1036
00:22:19,100 --> 00:22:20,067
MERLOT.

1037
00:22:20,067 --> 00:22:21,100
COME HERE.

1038
00:22:21,100 --> 00:22:21,967
WELL, WE COULD DEFINITELY--

1039
00:22:21,967 --> 00:22:22,667
WE COULD DEFINITELY

1040
00:22:22,667 --> 00:22:23,500
WORK WITH THAT.

1041
00:22:23,500 --> 00:22:25,067
AND I HEARD YOU A HALF PIT,

1042
00:22:25,067 --> 00:22:26,067
AND YOU A HALF MAN.

1043
00:22:26,067 --> 00:22:26,733
YEAH, THAT'S WHAT THEY

1044
00:22:26,733 --> 00:22:27,400
CALL ME.

1045
00:22:27,400 --> 00:22:28,167
YEAH, I MIGHT HAVE LITTLE

1046
00:22:28,167 --> 00:22:28,833
PAWS.

1047
00:22:28,833 --> 00:22:29,733
YOU MIGHT NEED TO WALK ME.

1048
00:22:29,733 --> 00:22:30,467
YEAH, WHAT YOU GOT--

1049
00:22:30,467 --> 00:22:31,467
WHAT KIND OF DOG YOU GOT IN YOU?

1050
00:22:31,467 --> 00:22:32,400
I'M A COUGAR.

1051
00:22:32,400 --> 00:22:33,567
OH, OKAY, EXCUSE ME.

1052
00:22:33,567 --> 00:22:34,500
A WILD ONE.

1053
00:22:34,500 --> 00:22:35,600
[laughs]

1054
00:22:35,600 --> 00:22:36,667
OKAY.

1055
00:22:36,667 --> 00:22:39,400
BUT WHEN YOU GOT A DOG THAT HAS

1056
00:22:39,400 --> 00:22:40,933
NOT BEEN--IS NOT USED TO HOLDING

1057
00:22:40,933 --> 00:22:42,367
IT, LIKE YOU SAID, HE PROBABLY

1058
00:22:42,367 --> 00:22:43,367
WAS HOLDING IT FIRST IN

1059
00:22:43,367 --> 00:22:44,067
THE BEGINNING.

1060
00:22:44,067 --> 00:22:44,700
HE'S LIKE, "WHEN THEY

1061
00:22:44,700 --> 00:22:45,367
GONNA LET ME OUT?"

1062
00:22:45,367 --> 00:22:46,400
YOU KNOW, SO WE GONNA HAVE TO

1063
00:22:46,400 --> 00:22:48,167
KIND OF LET HIM OUT A LITTLE BIT

1064
00:22:48,167 --> 00:22:49,567
MORE INITIALLY IN THE BEGINNING

1065
00:22:49,567 --> 00:22:51,367
JUST SO HE CAN START SAYING,

1066
00:22:51,367 --> 00:22:53,067
"HEY, OKAY, I DON'T HAVE TO HOLD

1067
00:22:53,067 --> 00:22:54,367
IT THAT LONG, SO I KNOW MY NEXT

1068
00:22:54,367 --> 00:22:55,467
TIME IS COMING SOON."

1069
00:22:55,467 --> 00:22:56,967
CAN I SHOW YOU JUST BASICALLY

1070
00:22:56,967 --> 00:22:58,933
OUTSIDE HOW THEY INTERACT AND

1071
00:22:58,933 --> 00:23:00,900
HOW HE DOES GO TO THE AREA?

1072
00:23:00,900 --> 00:23:01,800
SURE, SURE.

1073
00:23:01,800 --> 00:23:02,633
OKAY, COME ON. LET'S GO.

1074
00:23:02,633 --> 00:23:03,300
OKAY.

1075
00:23:03,300 --> 00:23:06,433
THE DOG WHISPERER IS FO-INE.

1076
00:23:06,433 --> 00:23:07,733
NOT FINE.

1077
00:23:07,733 --> 00:23:09,667
FO-INE.

1078
00:23:09,667 --> 00:23:11,967
I'M LISTENING, BUT I'M LOOKING

1079
00:23:11,967 --> 00:23:12,967
TOO.

1080
00:23:12,967 --> 00:23:13,967
WHEN HE GOES OUTSIDE, WE GOT

1081
00:23:13,967 --> 00:23:14,833
TO MAKE THIS A BIG DEAL.

1082
00:23:14,833 --> 00:23:15,533
OKAY.

1083
00:23:15,533 --> 00:23:16,367
YOU KNOW, SO WHEN HE GOES,

1084
00:23:16,367 --> 00:23:17,733
"GOOD BOY! GOOD BOY!"

1085
00:23:17,733 --> 00:23:18,600
YOU KNOW, BE EXCITED.

1086
00:23:18,600 --> 00:23:19,767
YOU KNOW, AND THEY CAN

1087
00:23:19,767 --> 00:23:20,433
LEARN NEW TRICKS.

1088
00:23:20,433 --> 00:23:21,300
THEY SAY DOGS CAN'T,

1089
00:23:21,300 --> 00:23:21,967
BUT THEY CAN.

1090
00:23:21,967 --> 00:23:22,900
CAN A MAN?

1091
00:23:22,900 --> 00:23:24,067
[laughs]

1092
00:23:24,067 --> 00:23:24,700
YEAH.

1093
00:23:24,700 --> 00:23:25,367
FOLLOW ME.

1094
00:23:25,367 --> 00:23:26,733
[laughter]

1095
00:23:26,733 --> 00:23:27,667
FOLLOW ME.

1096
00:23:27,667 --> 00:23:28,900
READY TO TEACH SOME TRICKS,

1097
00:23:28,900 --> 00:23:29,567
HUH?

1098
00:23:29,567 --> 00:23:30,233
OH, GOD, YES.

1099
00:23:30,233 --> 00:23:31,133
UH-OH. UH-OH.

1100
00:23:31,133 --> 00:23:32,067
I JUST GOT TO ASK YOU.

1101
00:23:32,067 --> 00:23:32,767
YEAH?

1102
00:23:32,767 --> 00:23:33,667
DO I GET A SECOND

1103
00:23:33,667 --> 00:23:34,333
APPOINTMENT?

1104
00:23:34,333 --> 00:23:35,067
WELL, YEAH.

1105
00:23:35,067 --> 00:23:35,667
YOU GET A FOLLOW-UP

1106
00:23:35,667 --> 00:23:36,333
AND ALL THAT.

1107
00:23:36,333 --> 00:23:37,267
I GET A FOLLOW-UP?

1108
00:23:37,267 --> 00:23:39,433
OH, WHOA.

1109
00:23:39,433 --> 00:23:40,167
YOU GET THE FOLLOW-UP.

1110
00:23:40,167 --> 00:23:41,133
MM, OKAY.

1111
00:23:41,133 --> 00:23:41,800
TEATIME?

1112
00:23:41,800 --> 00:23:42,700
YEAH, I'M DOWN WITH THAT.

1113
00:23:42,700 --> 00:23:43,367
OKAY.

1114
00:23:43,367 --> 00:23:44,067
I'M DOWN WITH THAT.

1115
00:23:44,067 --> 00:23:44,700
LET'S DO THAT.

1116
00:23:44,700 --> 00:23:46,200
COME ON, BOYS.

1117
00:23:46,200 --> 00:23:48,200
TYLER.

1118
00:23:48,867 --> 00:23:49,867
[electronic music]

1119
00:23:49,867 --> 00:23:55,100
♪

1120
00:23:55,100 --> 00:23:56,067
WHAT'S UP, CHE'?

1121
00:23:56,067 --> 00:23:56,933
HEY, Y'ALL.

1122
00:23:56,933 --> 00:23:57,733
HOW YOU DOING?

1123
00:23:57,733 --> 00:23:58,400
GOOD.

1124
00:23:58,400 --> 00:23:59,167
YOU ALL RIGHT?

1125
00:23:59,167 --> 00:23:59,833
YES.

1126
00:23:59,833 --> 00:24:00,567
YEAH?

1127
00:24:00,567 --> 00:24:01,867
HI, JOSELINE.

1128
00:24:01,867 --> 00:24:03,433
I FIGURED WE'D JUST HAVE A

1129
00:24:03,433 --> 00:24:04,800
LITTLE FUN AT THE STRIP CLUB.

1130
00:24:04,800 --> 00:24:06,267
YEAH, PLEASE DO.

1131
00:24:06,267 --> 00:24:08,067
SO I'M SITTING THERE WITH STEVIE

1132
00:24:08,067 --> 00:24:09,267
AT MAGIC CITY, AND I'M JUST

1133
00:24:09,267 --> 00:24:10,700
SITTING THERE HAVING A DRINK.

1134
00:24:10,700 --> 00:24:11,667
I REALLY DIDN'T WANT TO GO WITH

1135
00:24:11,667 --> 00:24:12,600
HIM 'CAUSE I KNEW HE HAS

1136
00:24:12,600 --> 00:24:13,600
SOMETHING GOING ON, AND HERE

1137
00:24:13,600 --> 00:24:15,333
COME THIS RATCHET-ASS BITCH

1138
00:24:15,333 --> 00:24:16,967
CHE' MACK BRACES FACE.

1139
00:24:16,967 --> 00:24:18,700
HO, WHY IS YOU HERE?

1140
00:24:18,700 --> 00:24:20,267
JOSELINE, I WANT TO APOLOGIZE

1141
00:24:20,267 --> 00:24:22,333
TO YOU, 'CAUSE LAST TIME YOU SAW

1142
00:24:22,333 --> 00:24:24,200
ME, IT WAS LIKE I WAS HITTING

1143
00:24:24,200 --> 00:24:25,067
A LID AND I DIDN'T MEAN

1144
00:24:25,067 --> 00:24:25,833
TO HIT THE LID.

1145
00:24:25,833 --> 00:24:26,767
IT WAS JAGER.

1146
00:24:26,767 --> 00:24:28,600
AND PLUS I WANTED TO LET

1147
00:24:28,600 --> 00:24:29,367
YOU KNOW--

1148
00:24:29,367 --> 00:24:30,200
I DON'T KNOW WHY I'M HERE

1149
00:24:30,200 --> 00:24:30,967
TALKING TO Y'ALL.

1150
00:24:30,967 --> 00:24:31,700
Y'ALL COULD HAVE DONE THIS

1151
00:24:31,700 --> 00:24:32,367
ON YOUR OWN.

1152
00:24:32,367 --> 00:24:33,067
WHAT'S YOUR PROBLEM?

1153
00:24:33,067 --> 00:24:33,700
DO YOU HAVE A PROBLEM?

1154
00:24:33,700 --> 00:24:34,600
'CAUSE I WASN'T GONNA TALK TO

1155
00:24:34,600 --> 00:24:35,267
HER WITHOUT YOU.

1156
00:24:35,267 --> 00:24:36,067
I AIN'T TRYING TO STEP ON

1157
00:24:36,067 --> 00:24:37,567
YOUR TOES.

1158
00:24:37,567 --> 00:24:38,533
I DON'T WANT TO COME--

1159
00:24:38,533 --> 00:24:39,433
BITCH, YOU COULD NEVER STEP

1160
00:24:39,433 --> 00:24:40,133
ON MY TOES.

1161
00:24:40,133 --> 00:24:41,767
I'M A MADE BITCH.

1162
00:24:41,767 --> 00:24:42,767
I'M A SELF-MADE--

1163
00:24:42,767 --> 00:24:43,433
I'M SELF-MADE.

1164
00:24:43,433 --> 00:24:44,100
I'M SORRY.

1165
00:24:44,100 --> 00:24:44,767
YOU WILL NEVER BE ME.

1166
00:24:44,767 --> 00:24:45,800
HE'S RIGHT THERE.

1167
00:24:45,800 --> 00:24:47,867
I DON'T WANT TO BE YOU.

1168
00:24:47,867 --> 00:24:48,667
BITCH, YOU CAN DO WHATEVER

1169
00:24:48,667 --> 00:24:49,400
THE [bleep] YOU WANT TO DO,

1170
00:24:49,400 --> 00:24:50,067
'CAUSE GUESS WHAT?

1171
00:24:50,067 --> 00:24:50,900
HE DO IT ANYWAYS.

1172
00:24:50,900 --> 00:24:51,767
WELL, BITCH, I KNOW YOU ABOUT

1173
00:24:51,767 --> 00:24:52,500
TO DO WHATEVER THE [bleep]

1174
00:24:52,500 --> 00:24:53,167
YOU GONNA DO.

1175
00:24:53,167 --> 00:24:54,067
WATCH YOUR MOUTH OR I'LL SLAP

1176
00:24:54,067 --> 00:24:55,167
YOUR BITCH ASS.

1177
00:24:55,167 --> 00:24:55,967
YOU GOT TO WATCH ME.

1178
00:24:55,967 --> 00:24:56,633
I KICK YOU DEAD IN YOUR

1179
00:24:56,633 --> 00:24:57,300
BRACES, HO.

1180
00:24:57,300 --> 00:24:57,967
YOU WILL RIGHT NOW?

1181
00:24:57,967 --> 00:24:58,733
BITCH, I KICK YOU DEAD IN

1182
00:24:58,733 --> 00:24:59,400
YOUR BRACES.

1183
00:24:59,400 --> 00:25:00,133
WATCH YOUR MOUTH.

1184
00:25:00,133 --> 00:25:01,467
AIN'T NONE OF THAT.

1185
00:25:01,467 --> 00:25:02,600
THE WHOLE PURPOSE OF US SITTING

1186
00:25:02,600 --> 00:25:03,800
DOWN WAS FOR ME TO PUT

1187
00:25:03,800 --> 00:25:04,933
EVERYTHING ON THE TABLE.

1188
00:25:04,933 --> 00:25:06,167
I DIDN'T WANT TO BE WORKING WITH

1189
00:25:06,167 --> 00:25:08,167
CHE' MACK BEHIND JOSELINE BACK.

1190
00:25:08,167 --> 00:25:09,433
BUT LOOK AT JOSELINE'S [bleep]

1191
00:25:09,433 --> 00:25:10,200
ATTITUDE.

1192
00:25:10,200 --> 00:25:11,500
MAKE ME JUST WANT TO REVERT TO

1193
00:25:11,500 --> 00:25:12,933
THE OLD SLEEZE-O.

1194
00:25:12,933 --> 00:25:14,367
WHY DO YOU INSIST ON WASTING

1195
00:25:14,367 --> 00:25:15,900
MY TIME WHEN YOU'RE NOT EVEN

1196
00:25:15,900 --> 00:25:16,900
FINISHED WITH MY ALBUM?

1197
00:25:16,900 --> 00:25:17,833
SO IS THAT WHY YOU BEEN

1198
00:25:17,833 --> 00:25:18,567
DISRESPECTFUL?

1199
00:25:18,567 --> 00:25:19,333
I'M ASKING YOU.

1200
00:25:19,333 --> 00:25:20,100
BUT I'M SAYING IS THAT WHY

1201
00:25:20,100 --> 00:25:20,967
YOU BEING DISRESPECTFUL.

1202
00:25:20,967 --> 00:25:22,067
I'M NOT BEING DISRESPECTFUL.

1203
00:25:22,067 --> 00:25:22,900
I'M JUST SIMPLY ASKING YOU.

1204
00:25:22,900 --> 00:25:23,667
I JUST WANTED TO MAKE SURE

1205
00:25:23,667 --> 00:25:24,333
THAT WE WASN'T BEING

1206
00:25:24,333 --> 00:25:25,067
DISRESPECTFUL.

1207
00:25:25,067 --> 00:25:25,667
WHY AM I HAVING A

1208
00:25:25,667 --> 00:25:27,800
CONVERSATION WITH YOU WITH--

1209
00:25:27,800 --> 00:25:29,467
ABOUT ANOTHER BROAD WHEN YOU'RE

1210
00:25:29,467 --> 00:25:30,333
NOT DONE WITH MY PROJECT?

1211
00:25:30,333 --> 00:25:31,200
THAT'S ALL I WANT TO KNOW.

1212
00:25:31,200 --> 00:25:31,867
THIS IS WHY. HOLD ON.

1213
00:25:31,867 --> 00:25:32,533
LET ME DO THIS.

1214
00:25:32,533 --> 00:25:33,933
FOR THE LAST TIME, THIS IS WHY.

1215
00:25:33,933 --> 00:25:35,200
I ALWAYS BEEN THE TYPE OF

1216
00:25:35,200 --> 00:25:37,067
[bleep] TO DO WHAT I WANT TO DO.

1217
00:25:37,067 --> 00:25:38,333
I DIDN'T WANT TO DO THAT

1218
00:25:38,333 --> 00:25:39,067
ANYMORE.

1219
00:25:39,067 --> 00:25:40,200
I SAID, "I JUST WANT TO SHOW YOU

1220
00:25:40,200 --> 00:25:41,433
A DIFFERENT LEVEL THAT I'M ON

1221
00:25:41,433 --> 00:25:42,767
WITH YOU."

1222
00:25:42,767 --> 00:25:43,800
AND WHAT THAT LEVEL WE ON?

1223
00:25:43,800 --> 00:25:44,600
YOU TELL ME.

1224
00:25:44,600 --> 00:25:45,667
I DON'T KNOW.

1225
00:25:45,667 --> 00:25:46,600
YOU DON'T KNOW?

1226
00:25:46,600 --> 00:25:47,467
ALL RIGHT.

1227
00:25:47,467 --> 00:25:48,333
FINE, COOL.

1228
00:25:48,333 --> 00:25:49,500
I CAN'T POSSIBLY KNOW IF I'M

1229
00:25:49,500 --> 00:25:50,767
HAVING A CONVERSATION WITH

1230
00:25:50,767 --> 00:25:52,433
ANOTHER BROAD WHEN I'M STILL NOT

1231
00:25:52,433 --> 00:25:53,500
DONE WITH MY PROJECT.

1232
00:25:53,500 --> 00:25:54,267
YOU DON'T GET IT, THOUGH.

1233
00:25:54,267 --> 00:25:55,133
ALL RIGHT, SO YOU NEVER GONNA

1234
00:25:55,133 --> 00:25:56,067
DO A SONG WITH ME, JOSELINE?

1235
00:25:56,067 --> 00:25:56,767
IS WHAT WHAT YOU'RE SAYING?

1236
00:25:56,767 --> 00:25:57,800
BITCH, YOU WOULD DIE, BE BORN

1237
00:25:57,800 --> 00:25:59,100
AGAIN, DIE AGAIN, AND BE BORN

1238
00:25:59,100 --> 00:26:00,600
AGAIN BEFORE I'D DO A SONG

1239
00:26:00,600 --> 00:26:01,567
WITH YOU, BITCH.

1240
00:26:01,567 --> 00:26:03,233
YOU CRAZY AS HELL.

1241
00:26:03,233 --> 00:26:04,500
Y'ALL LAUGHING 'CAUSE IT'S FUNNY

1242
00:26:04,500 --> 00:26:05,267
'CAUSE I'M LAUGHING TOO.

1243
00:26:05,267 --> 00:26:06,467
IT IS HILARIOUS 'CAUSE I

1244
00:26:06,467 --> 00:26:07,700
CAN'T BELIEVE YOU'RE SAYING IT.

1245
00:26:07,700 --> 00:26:08,967
WHY CAN'T YOU BELIEVE, BITCH?

1246
00:26:08,967 --> 00:26:10,233
YOU AIN'T [bleep], AND YOU AIN'T

1247
00:26:10,233 --> 00:26:11,267
GONNA NEVER BE [bleep].

1248
00:26:11,267 --> 00:26:13,633
EVEN IF STEVIE J. AUTO-TUNED THE

1249
00:26:13,633 --> 00:26:15,200
[bleep] OUT OF YOUR WOBBLY ASS

1250
00:26:15,200 --> 00:26:16,533
AND PRODUCED YOUR WHOLE ALBUM,

1251
00:26:16,533 --> 00:26:17,567
YOU STILL AIN'T GONNA BE

1252
00:26:17,567 --> 00:26:18,333
[bleep].

1253
00:26:18,333 --> 00:26:20,333
GO HOME. CRANK YOUR BRACES.

1254
00:26:20,333 --> 00:26:21,333
KEEP IT MOVING, BITCH.

1255
00:26:21,333 --> 00:26:22,100
I'M OUT.

1256
00:26:22,100 --> 00:26:23,233
THIS CONVERSATION IS OVER,

1257
00:26:23,233 --> 00:26:24,367
'CAUSE FOR REAL, I DON'T NEED TO

1258
00:26:24,367 --> 00:26:25,467
WASTE MY TIME WITH Y'ALL.

1259
00:26:25,467 --> 00:26:26,300
ALL RIGHT, I'LL HAVE MY

1260
00:26:26,300 --> 00:26:27,500
PEOPLE CALL YOUR PEOPLE.

1261
00:26:27,500 --> 00:26:28,433
'CAUSE YOU'RE GONNA WANT TO DO A

1262
00:26:28,433 --> 00:26:29,467
SONG SOONER OR LATER.

1263
00:26:29,467 --> 00:26:30,600
BITCH, YOU SOUND STUPID.

1264
00:26:30,600 --> 00:26:32,567
UH, YOU SOUND MORE STUPID-ER.

1265
00:26:32,567 --> 00:26:33,500
YOU SOUND STUPID, AND YOU

1266
00:26:33,500 --> 00:26:34,467
SOUND A MESS, BITCH.

1267
00:26:34,467 --> 00:26:35,433
OKAY, THANK YOU.

1268
00:26:35,433 --> 00:26:37,400
CAN I HAVE MY DRINK, PLEASE?

1269
00:26:37,400 --> 00:26:38,600
YOU LEAVING SINCE I HAVEN'T

1270
00:26:38,600 --> 00:26:39,300
PAID FOR ALL--

1271
00:26:39,300 --> 00:26:41,067
TIC-TAC-TOE.

1272
00:26:41,067 --> 00:26:41,667
[bleep] BITCH.

1273
00:26:41,667 --> 00:26:42,633
BITCH.

1274
00:26:42,633 --> 00:26:43,767
WHAT THE [bleep]?

1275
00:26:43,767 --> 00:26:44,700
YO, YO.

1276
00:26:44,700 --> 00:26:45,367
[bleep].

1277
00:26:45,367 --> 00:26:46,067
GRAB HER.

1278
00:26:46,067 --> 00:26:46,933
WHAT THE [bleep]?

1279
00:26:46,933 --> 00:26:47,967
BITCH!

1280
00:26:47,967 --> 00:26:49,400
[bleep] OUT OF HERE, BITCH.

1281
00:26:49,400 --> 00:26:50,567
YOU NOT GONNA GET NO RUN-UP

1282
00:26:50,567 --> 00:26:51,333
ON ME, BITCH!

1283
00:26:51,333 --> 00:26:52,400
YO, BACK UP.

1284
00:26:52,400 --> 00:26:53,300
LET GO.

1285
00:26:53,300 --> 00:26:54,067
LET GO OF ME.

1286
00:26:54,067 --> 00:26:55,067
GET THE [bleep] OUT OF HERE.

1287
00:26:55,067 --> 00:26:56,567
GET THE [bleep] OFF ME.

1288
00:26:56,567 --> 00:26:58,167
GET THE [bleep] OFF ME!

1289
00:26:58,167 --> 00:27:00,067
GIVE ME MY PURSE.

1290
00:27:00,067 --> 00:27:00,700
I'MA SHOW YOU SOMETHING.

1291
00:27:00,700 --> 00:27:01,433
YOU AIN'T GONNA SHOW

1292
00:27:01,433 --> 00:27:02,100
ME NOTHING.

1293
00:27:02,100 --> 00:27:03,667
NO, J., IT'S DEEPER

1294
00:27:03,667 --> 00:27:04,333
THAN THIS.

1295
00:27:04,333 --> 00:27:05,533
I WAS WAITING.

1296
00:27:05,533 --> 00:27:06,633
I WAS WAITING!

1297
00:27:06,633 --> 00:27:07,600
GIVE ME MY PURSE.

1298
00:27:07,600 --> 00:27:08,733
ALL I WANTED TO DO WAS THE

1299
00:27:08,733 --> 00:27:10,067
RIGHT THING FOR ONCE IN MY LIFE,

1300
00:27:10,067 --> 00:27:11,333
BUT, YOU KNOW, JOSELINE CAN'T

1301
00:27:11,333 --> 00:27:12,433
EVEN HOLD HER TONGUE JUST

1302
00:27:12,433 --> 00:27:13,167
ONE TIME.

1303
00:27:13,167 --> 00:27:14,467
THAT AIN'T GOOD FOR BUSINESS,

1304
00:27:14,467 --> 00:27:15,800
BUT, YOU KNOW, I CREATED

1305
00:27:15,800 --> 00:27:17,933
THE MONSTER, DR. FRANKENSTEIN.

1306
00:27:17,933 --> 00:27:19,267
AND AT THIS POINT, I DON'T EVEN

1307
00:27:19,267 --> 00:27:20,933
KNOW IF I COULD DO IT FOR CHE'.

1308
00:27:20,933 --> 00:27:23,067
WHAT THE [bleep] IS THIS?

1309
00:27:23,067 --> 00:27:24,500
WHAT IS THIS?

1310
00:27:24,500 --> 00:27:26,667
WHAT THE [bleep] IS THIS?

1311
00:27:26,667 --> 00:27:29,133
[screams]

1312
00:27:29,133 --> 00:27:30,533
MIMI HAS A NEW BOYFRIEND.

1313
00:27:30,533 --> 00:27:31,733
I THINK HE'S DOWNLOW.

1314
00:27:31,733 --> 00:27:33,300
NO ONE CAN TAKE THAT FROM ME.

1315
00:27:33,300 --> 00:27:34,500
THAT'S MY OPINION.

1316
00:27:34,500 --> 00:27:35,367
WHAT THE [bleep] DOES THIS

1317
00:27:35,367 --> 00:27:36,433
HAVE TO DO WITH YOU AND YOUR

1318
00:27:36,433 --> 00:27:37,400
MUSIC CAREER?

1319
00:27:37,400 --> 00:27:38,400
DREW, WHAT THE [bleep]

1320
00:27:38,400 --> 00:27:39,067
IS GOING ON?

1321
00:27:39,067 --> 00:27:39,933
BASICALLY, MY PARTNER'S

1322
00:27:39,933 --> 00:27:41,400
A CON ARTIST.

1323
00:27:41,400 --> 00:27:43,067
AND I'M FINDING ALL THIS OUT

1324
00:27:43,067 --> 00:27:44,100
NOW.

1325
00:27:44,100 --> 00:27:45,733
AND HE BASICALLY STOLE

1326
00:27:45,733 --> 00:27:46,767
THE MONEY.

1327
00:27:46,767 --> 00:27:48,767
YUP.

1328
00:27:55,533 --> 00:27:56,600
[plane engine roaring]

1329
00:27:56,600 --> 00:27:57,600
[jazzy music]

1330
00:27:57,600 --> 00:27:59,467
♪

1331
00:27:59,467 --> 00:28:01,167
* YOU KNOW THAT YOU'RE ♪

1332
00:28:01,167 --> 00:28:02,600
♪ FROM A SMALL TOWN

1333
00:28:02,600 --> 00:28:05,067
♪ ONCE YOU GET THERE

1334
00:28:05,067 --> 00:28:07,300
♪ A CENTRAL PARK WALK

1335
00:28:07,300 --> 00:28:10,200
♪ THEN ON TO TIMES SQUARE

1336
00:28:10,200 --> 00:28:12,133
♪ SUDDENLY YOU REALIZE

1337
00:28:12,133 --> 00:28:14,600
♪ THIS TOWN'S NUMBER ONE ♪

1338
00:28:14,600 --> 00:28:17,733
♪ A NEW YORK LOVE'S JUST BEGUN ♪

1339
00:28:20,467 --> 00:28:21,633
GIRL, IT'S HOT AS

1340
00:28:21,633 --> 00:28:22,300
HELL IN HERE.

1341
00:28:22,300 --> 00:28:23,267
I CAN'T TAKE IT.

1342
00:28:23,267 --> 00:28:24,567
JUST A LITTLE BIT.

1343
00:28:24,567 --> 00:28:25,333
DRIVER, CAN WE GO TO

1344
00:28:25,333 --> 00:28:26,633
B.B. KING'S, PLEASE?

1345
00:28:26,633 --> 00:28:27,300
UH-UH.

1346
00:28:27,300 --> 00:28:27,967
GUESS WHAT.

1347
00:28:27,967 --> 00:28:30,200
THIS IS ABOUT THE SICKEST EVER

1348
00:28:30,200 --> 00:28:34,133
TEXT MESSAGE THAT I HAVE GOTTEN

1349
00:28:34,133 --> 00:28:34,800
ABOUT THIS--

1350
00:28:34,800 --> 00:28:35,667
ABOUT WHAT?

1351
00:28:35,667 --> 00:28:37,233
ABOUT K.MICHELLE ON THE

1352
00:28:37,233 --> 00:28:39,067
RADIO THIS MORNING RUNNING HER

1353
00:28:39,067 --> 00:28:40,067
[bleep] MOUTH.

1354
00:28:40,067 --> 00:28:41,600
OH, MY GOD.

1355
00:28:41,600 --> 00:28:43,600
SO WHEN ARIANE INVITED ME TO

1356
00:28:43,600 --> 00:28:45,633
NEW YORK, I ENTERTAINED THE IDEA

1357
00:28:45,633 --> 00:28:47,600
OF GOING TO SPEAK TO K.MICHELLE

1358
00:28:47,600 --> 00:28:49,067
ABOUT WHAT HAPPENED AT THE VIDEO

1359
00:28:49,067 --> 00:28:50,267
SHOOT AND HER CALLING

1360
00:28:50,267 --> 00:28:51,867
JOHNNY "GAY."

1361
00:28:51,867 --> 00:28:53,333
BUT THIS MORNING BEFORE HER

1362
00:28:53,333 --> 00:28:55,067
SHOW, I HEAR HER ON THE RADIO

1363
00:28:55,067 --> 00:28:56,867
TALKING ABOUT NIKKO, SO REALLY,

1364
00:28:56,867 --> 00:28:57,900
NO, THANKS.

1365
00:28:57,900 --> 00:28:59,067
HOW ABOUT I PLAY IT FOR YOU?

1366
00:28:59,067 --> 00:28:59,733
OKAY.

1367
00:28:59,733 --> 00:29:00,533
FINE.

1368
00:29:00,533 --> 00:29:01,233
I DON'T KNOW.

1369
00:29:01,233 --> 00:29:02,267
LIKE, MIMI HAS A NEW BOYFRIEND.

1370
00:29:02,267 --> 00:29:03,567
I THINK HE'S DOWNLOW.

1371
00:29:03,567 --> 00:29:05,133
NO ONE CAN TAKE THAT FROM ME.

1372
00:29:05,133 --> 00:29:06,333
THAT'S MY OPINION.

1373
00:29:06,333 --> 00:29:07,300
WHAT THE [bleep] DOES THIS

1374
00:29:07,300 --> 00:29:08,300
HAVE TO DO WITH YOU AND YOUR

1375
00:29:08,300 --> 00:29:09,467
MUSIC CAREER?

1376
00:29:09,467 --> 00:29:10,267
WELL, MAYBE YOU CAN ASK HER

1377
00:29:10,267 --> 00:29:11,067
THAT WHEN WE GO.

1378
00:29:11,067 --> 00:29:11,733
MAYBE I WILL.

1379
00:29:11,733 --> 00:29:13,067
'CAUSE I FEEL LIKE YOU

1380
00:29:13,067 --> 00:29:13,667
SHOULD.

1381
00:29:13,667 --> 00:29:14,333
I DIDN'T KNOW THAT THAT

1382
00:29:14,333 --> 00:29:15,067
HAPPENED.

1383
00:29:15,067 --> 00:29:16,200
BOTTOM LINE IS THIS.

1384
00:29:16,200 --> 00:29:17,967
IF IT'S NOT ABOUT K.MICHELLE,

1385
00:29:17,967 --> 00:29:19,467
SHE HAS TO MAKE IT ABOUT HER.

1386
00:29:19,467 --> 00:29:20,767
AND YOU NEED TO SAY THAT.

1387
00:29:20,767 --> 00:29:22,067
WHAT MAKES YOU THINK THIS

1388
00:29:22,067 --> 00:29:23,600
GONNA BE SOMETHING DIFFERENT?

1389
00:29:23,600 --> 00:29:24,433
'CAUSE SHE REALLY MAKES IT

1390
00:29:24,433 --> 00:29:25,167
SEEM LIKE SHE REALLY

1391
00:29:25,167 --> 00:29:25,833
CARED ABOUT YOU.

1392
00:29:25,833 --> 00:29:27,233
APPARENTLY NOT, IF YOU'RE

1393
00:29:27,233 --> 00:29:29,367
GONNA GET ON THE RADIO AND SAY

1394
00:29:29,367 --> 00:29:30,400
THAT ABOUT SOMEBODY I

1395
00:29:30,400 --> 00:29:31,333
[bleep] WITH.

1396
00:29:31,333 --> 00:29:32,300
OKAY.

1397
00:29:32,300 --> 00:29:33,500
I'M JUST TRYING TO LET YOU

1398
00:29:33,500 --> 00:29:35,633
KNOW MY POSITION, WHERE THE

1399
00:29:35,633 --> 00:29:36,667
[bleep] I'M COMING FROM.

1400
00:29:36,667 --> 00:29:38,333
OKAY.

1401
00:29:38,333 --> 00:29:39,133
CAN WE GO?

1402
00:29:39,133 --> 00:29:39,833
I DON'T KNOW WHAT THIS

1403
00:29:39,833 --> 00:29:41,467
MOTHER[bleep] ALLIANCE YOU AND

1404
00:29:41,467 --> 00:29:42,467
K.MICHELLE HAVE--

1405
00:29:42,467 --> 00:29:43,900
I DON'T HAVE AN ALLIANCE.

1406
00:29:43,900 --> 00:29:44,967
WE MADE UP.

1407
00:29:44,967 --> 00:29:46,433
OKAY, COOL.

1408
00:29:46,433 --> 00:29:47,233
BUT--

1409
00:29:47,233 --> 00:29:48,333
AND THAT BITCH WILL TURN ON

1410
00:29:48,333 --> 00:29:50,667
YOU AT THE DROP OF

1411
00:29:50,667 --> 00:29:53,833
A [bleep] DIME.

1412
00:29:53,833 --> 00:29:55,500
WELL, I'M READY WHENEVER IT

1413
00:29:55,500 --> 00:29:56,700
HAPPENS AGAIN OR IF IT HAPPENS

1414
00:29:56,700 --> 00:29:57,467
AGAIN.

1415
00:29:57,467 --> 00:29:58,233
OKAY, LET'S GO,

1416
00:29:58,233 --> 00:30:01,400
DRIVER.

1417
00:30:01,400 --> 00:30:03,500
WE CAN GO TO B.B. KING SO I CAN

1418
00:30:03,500 --> 00:30:05,767
HAVE THIS CONVERSATION WITH THIS

1419
00:30:05,767 --> 00:30:06,967
MOTHER[bleep].

1420
00:30:06,967 --> 00:30:07,767
I'M SORRY THAT YOU HAD TO

1421
00:30:07,767 --> 00:30:09,767
HEAR ALL OF THIS.

1422
00:30:11,833 --> 00:30:12,833
[hip-hop music]

1423
00:30:12,833 --> 00:30:16,700
♪

1424
00:30:16,700 --> 00:30:17,833
SO THE GRAND OPENING FOR THE

1425
00:30:17,833 --> 00:30:19,000
STORE IS A FEW WEEKS AWAY, AND

1426
00:30:19,000 --> 00:30:20,567
I'M STUPID BUSY TRYING TO GET

1427
00:30:20,567 --> 00:30:22,200
MEDIA AND PRESS FOR THIS EVENT,

1428
00:30:22,200 --> 00:30:23,767
AND THEN DREW CALLS ME TALKING

1429
00:30:23,767 --> 00:30:24,633
ABOUT IT'S SOME TYPE OF

1430
00:30:24,633 --> 00:30:25,967
EMERGENCY AT THE STORE AND TO

1431
00:30:25,967 --> 00:30:26,667
COME DOWN.

1432
00:30:26,667 --> 00:30:27,833
THIS BETTER BE IMPORTANT.

1433
00:30:27,833 --> 00:30:29,600
WHAT IS GOING ON?

1434
00:30:29,600 --> 00:30:31,300
SO BASICALLY MY PARTNER'S

1435
00:30:31,300 --> 00:30:33,967
A CON ARTIST.

1436
00:30:33,967 --> 00:30:38,167
AND I'M FINDING ALL THIS OUT NOW

1437
00:30:38,167 --> 00:30:39,867
AFTER GIVING HIM $50,000.

1438
00:30:39,867 --> 00:30:41,900
YOU HAVE A SIGNED CONTRACT?

1439
00:30:41,900 --> 00:30:43,233
I HAVE A CONTRACT.

1440
00:30:43,233 --> 00:30:47,167
IS IT A SIGNED CONTRACT?

1441
00:30:47,167 --> 00:30:48,633
IT'S A VERBAL AGREEMENT WITH

1442
00:30:48,633 --> 00:30:50,300
A CONTRACT THAT WASN'T SIGNED.

1443
00:30:50,300 --> 00:30:51,867
SO YOU'RE TELLING ME THAT YOU

1444
00:30:51,867 --> 00:30:55,967
SENT THIS MAN $50,000 WITH NO

1445
00:30:55,967 --> 00:30:57,967
SIGNED CONTRACT.

1446
00:31:01,533 --> 00:31:03,200
AND HE BASICALLY STOLE

1447
00:31:03,200 --> 00:31:05,200
THE MONEY.

1448
00:31:06,233 --> 00:31:08,267
YUP.

1449
00:31:08,267 --> 00:31:09,567
THE BEST WORD TO DESCRIBE HOW

1450
00:31:09,567 --> 00:31:10,767
I FEEL RIGHT NOW IS

1451
00:31:10,767 --> 00:31:11,867
EMBARRASSMENT.

1452
00:31:11,867 --> 00:31:12,833
I'M USUALLY THE ONE DOING

1453
00:31:12,833 --> 00:31:13,933
THE HUSTLING, NOT THE ONE

1454
00:31:13,933 --> 00:31:14,967
GETTING HUSTLED.

1455
00:31:14,967 --> 00:31:16,133
BUT WHAT REALLY STINGS IS THAT I

1456
00:31:16,133 --> 00:31:18,067
BEGAN BOOKING DJs, CATERERS,

1457
00:31:18,067 --> 00:31:19,200
PLANE TICKETS FOR MY WHOLE

1458
00:31:19,200 --> 00:31:20,633
FAMILY TO COME OUT TO THE GRAND

1459
00:31:20,633 --> 00:31:21,300
OPENING.

1460
00:31:21,300 --> 00:31:22,967
THIS IS A COMPLETE MESS.

1461
00:31:22,967 --> 00:31:23,967
WHAT YOU GONNA DO NOW?

1462
00:31:23,967 --> 00:31:25,233
IT'S OKAY. I'M GONNA FIX IT.

1463
00:31:25,233 --> 00:31:26,267
I ALWAYS DO.

1464
00:31:26,267 --> 00:31:27,133
WE'RE GONNA STILL OPEN UP

1465
00:31:27,133 --> 00:31:28,100
A SNEAKER STORE.

1466
00:31:28,100 --> 00:31:29,067
DON'T I ALWAYS COME THROUGH?

1467
00:31:29,067 --> 00:31:29,767
IN THE TEN PLUS YEARS I'VE

1468
00:31:29,767 --> 00:31:31,600
KNOWN YOU, SOMETIMES THE

1469
00:31:31,600 --> 00:31:33,967
BUSINESS ASPECT OF IT IS SHAKY.

1470
00:31:33,967 --> 00:31:35,833
THAT'S WHY I ALWAYS WANT TO STEP

1471
00:31:35,833 --> 00:31:37,300
IN AND HANDLE THINGS.

1472
00:31:37,300 --> 00:31:38,900
THAT'S A PROBLEM, 'CAUSE TRACI'S

1473
00:31:38,900 --> 00:31:40,067
TOO CONTROLLING.

1474
00:31:40,067 --> 00:31:41,333
THE WORD CONTROLLING JUST DRIVES

1475
00:31:41,333 --> 00:31:42,167
ME [bleep] CRAZY.

1476
00:31:42,167 --> 00:31:42,900
I'M NOT CONTROLLING.

1477
00:31:42,900 --> 00:31:43,567
I KNOW WHAT THE [bleep]

1478
00:31:43,567 --> 00:31:44,300
I'M DOING.

1479
00:31:44,300 --> 00:31:45,367
I WOULD HAVE NEVER HANDED OVER

1480
00:31:45,367 --> 00:31:46,733
$50,000 TO NOBODY.

1481
00:31:46,733 --> 00:31:48,133
MATTER OF FACT, I COULD HAVE A

1482
00:31:48,133 --> 00:31:49,100
[bleep] CONTRACT, AND I WOULD

1483
00:31:49,100 --> 00:31:50,733
NEVER HAND OVER $50,000.

1484
00:31:50,733 --> 00:31:52,267
YOU GOT TO GIVE ME MONEY.

1485
00:31:52,267 --> 00:31:53,533
LET ME HAD RUN THIS [bleep],

1486
00:31:53,533 --> 00:31:54,400
THIS STORE WOULD HAVE BEEN OPEN

1487
00:31:54,400 --> 00:31:56,233
LAST MONTH.

1488
00:31:56,233 --> 00:31:57,067
YOU FEEL STUPID?

1489
00:31:57,067 --> 00:31:58,800
I FEEL STUPID 'CAUSE I STEPPED

1490
00:31:58,800 --> 00:32:00,133
BACK, AND I JUST LET SOMEONE

1491
00:32:00,133 --> 00:32:02,333
HANDLE STUFF, AND I KNOW BETTER.

1492
00:32:02,333 --> 00:32:03,533
I NEVER DO THAT.

1493
00:32:03,533 --> 00:32:04,967
I WANT TO MAKE IT CRYSTAL CLEAR

1494
00:32:04,967 --> 00:32:06,967
THAT, ONE, I HAD NO IDEA THAT HE

1495
00:32:06,967 --> 00:32:09,700
DID NOT HAVE A SIGNED CONTRACT.

1496
00:32:09,700 --> 00:32:11,433
HE'S A BUSINESSMAN!

1497
00:32:11,433 --> 00:32:13,967
HE GAVE SOMEBODY $50,000

1498
00:32:13,967 --> 00:32:15,067
WITH NOTHING!

1499
00:32:15,067 --> 00:32:15,900
YOU MIGHT AS WELL JUST HAD JUST

1500
00:32:15,900 --> 00:32:17,367
THROWN THE MONEY IN THE AIR AND

1501
00:32:17,367 --> 00:32:18,267
LET EVERYBODY RUN FOR IT.

1502
00:32:18,267 --> 00:32:19,067
WE JUST GOT TO POSTPONE

1503
00:32:19,067 --> 00:32:19,667
THE DATE.

1504
00:32:19,667 --> 00:32:20,400
WE GOT TO FIGURE SOME OTHER

1505
00:32:20,400 --> 00:32:21,067
[bleep] OUT,

1506
00:32:21,067 --> 00:32:22,333
MAYBE GET SOME INVESTORS, BUT WE

1507
00:32:22,333 --> 00:32:24,733
STILL GONNA DO THIS.

1508
00:32:24,733 --> 00:32:25,967
[bleep] MAKES ME WANT TO CRY.

1509
00:32:25,967 --> 00:32:27,333
THIS IS HOW [bleep] SAD AND

1510
00:32:27,333 --> 00:32:29,333
PATHETIC THIS [bleep] IS.

1511
00:32:36,367 --> 00:32:37,600
HEY.

1512
00:32:37,600 --> 00:32:39,167
WE--WE GONNA MAKE THIS HAPPEN.

1513
00:32:39,167 --> 00:32:40,267
LIKE, THIS IS NOT--

1514
00:32:40,267 --> 00:32:41,233
YOU SEE THIS [bleep]?

1515
00:32:41,233 --> 00:32:42,167
THIS [bleep] DIDN'T HAPPEN?

1516
00:32:42,167 --> 00:32:44,233
I GOT FLYERS AFTER FLYERS IN THE

1517
00:32:44,233 --> 00:32:46,133
CAR FOR THIS [bleep] THAT'S NOT

1518
00:32:46,133 --> 00:32:47,100
HAPPENING.

1519
00:32:47,100 --> 00:32:48,733
THAT'S NOT HAPPENING.

1520
00:32:48,733 --> 00:32:50,067
WE GONNA MAKE THIS HAPPEN.

1521
00:32:50,067 --> 00:32:51,133
WE JUST NOT GONNA MAKE IT HAPPEN

1522
00:32:51,133 --> 00:32:52,067
RIGHT NOW.

1523
00:32:52,067 --> 00:32:54,067
COME BACK HERE, TRACI.

1524
00:32:57,633 --> 00:32:59,767
I WAS A LITTLE CONFUSED ABOUT

1525
00:32:59,767 --> 00:33:01,133
THE WHOLE THING THAT HAPPENED

1526
00:33:01,133 --> 00:33:02,967
THE OTHER DAY AT THE VIDEO SHOW.

1527
00:33:02,967 --> 00:33:04,167
IT'S NOT WORTH IT.

1528
00:33:04,167 --> 00:33:05,267
YOUR BOYFRIEND'S GAY.

1529
00:33:05,267 --> 00:33:06,500
HIS FRIEND'S GAY.

1530
00:33:06,500 --> 00:33:07,633
YOU DON'T EVEN HAVE A

1531
00:33:07,633 --> 00:33:08,467
[bleep] MAN.

1532
00:33:08,467 --> 00:33:09,800
YOU'RE ABSOLUTELY RIGHT.

1533
00:33:09,800 --> 00:33:11,267
I DON'T WANT ONE LIKE YOURS.

1534
00:33:11,267 --> 00:33:12,067
THAT'S WHAT I'M SAYING.

1535
00:33:12,067 --> 00:33:14,067
AND YOU WILL NEVER HAVE ONE.

1536
00:33:27,067 --> 00:33:28,300
IT'S BEEN A MINUTE SINCE I

1537
00:33:28,300 --> 00:33:29,900
SEEN MY GIRL RASHEEDA, AND I

1538
00:33:29,900 --> 00:33:30,733
BEEN TALKING TO HER ABOUT

1539
00:33:30,733 --> 00:33:31,833
GETTING IN ON THIS K.MICHELLE

1540
00:33:31,833 --> 00:33:32,600
DIS TRACK.

1541
00:33:32,600 --> 00:33:34,267
HEY.

1542
00:33:34,267 --> 00:33:36,067
WHAT'S UP?

1543
00:33:36,067 --> 00:33:37,300
SO I'M GONNA HIT HER UP ONE MORE

1544
00:33:37,300 --> 00:33:39,067
TIME JUST TO SEE, YOU KNOW, IF

1545
00:33:39,067 --> 00:33:39,967
SHE WANT TO GET ON THIS HOT

1546
00:33:39,967 --> 00:33:40,800
[bleep].

1547
00:33:40,800 --> 00:33:41,700
YOU KNOW, I KNOW YOU LIKE

1548
00:33:41,700 --> 00:33:42,367
THE RECORD.

1549
00:33:42,367 --> 00:33:43,900
AND I'MA JUST KEEP IT 1,000.

1550
00:33:43,900 --> 00:33:44,633
YOU SUPPOSED TO.

1551
00:33:44,633 --> 00:33:45,933
I AM.

1552
00:33:45,933 --> 00:33:47,167
I DON'T CARE ENOUGH ABOUT

1553
00:33:47,167 --> 00:33:48,867
HER, TO BE HONEST, TO EVEN

1554
00:33:48,867 --> 00:33:49,533
DO THAT.

1555
00:33:49,533 --> 00:33:50,367
BUT RASHEEDA, LOOK HOW MANY

1556
00:33:50,367 --> 00:33:51,067
RECORDS SHE DONE DID.

1557
00:33:51,067 --> 00:33:52,300
I DON'T CARE.

1558
00:33:52,300 --> 00:33:52,967
THAT'S THE DIFFERENCE

1559
00:33:52,967 --> 00:33:53,833
BETWEEN ME AND HER.

1560
00:33:53,833 --> 00:33:54,833
THAT'S WHAT A BOSS CHICK DOES.

1561
00:33:54,833 --> 00:33:56,400
SHE DON'T STOOP TO A DONKEY

1562
00:33:56,400 --> 00:33:57,067
LEVEL.

1563
00:33:57,067 --> 00:33:57,733
I DON'T HAVE TO DO A

1564
00:33:57,733 --> 00:33:58,400
DIS RECORD.

1565
00:33:58,400 --> 00:33:59,233
I FEEL LIKE THAT [bleep] JUST

1566
00:33:59,233 --> 00:34:00,767
ELEMENTARY AS HELL FOR ME.

1567
00:34:00,767 --> 00:34:01,567
MM-HMM.

1568
00:34:01,567 --> 00:34:03,067
KARLIE NEEDS TO REJUVENATE

1569
00:34:03,067 --> 00:34:04,700
KARLIE'S CAREER, AND IF YOU

1570
00:34:04,700 --> 00:34:06,367
JUMPING OFF WITH THAT, THEN JUMP

1571
00:34:06,367 --> 00:34:07,067
OFF WITH IT.

1572
00:34:07,067 --> 00:34:07,933
BUT REALLY, RASHEEDA, I'M IN

1573
00:34:07,933 --> 00:34:08,600
L.A. ALL THE TIME.

1574
00:34:08,600 --> 00:34:09,300
YOU KNOW WHAT I MEAN?

1575
00:34:09,300 --> 00:34:11,767
I'M--THEY BROUGHT ME TO UTAH.

1576
00:34:11,767 --> 00:34:12,433
YOU KNOW WHAT I MEAN?

1577
00:34:12,433 --> 00:34:13,133
I DON'T EVEN KNOW WHAT

1578
00:34:13,133 --> 00:34:13,800
THAT IS.

1579
00:34:13,800 --> 00:34:14,467
WHAT IS THAT?

1580
00:34:14,467 --> 00:34:15,333
THANK YOU. THANK YOU, BITCH.

1581
00:34:15,333 --> 00:34:16,167
I MEAN, UTAH.

1582
00:34:16,167 --> 00:34:17,100
THEY BROUGHT ME TO UTAH

1583
00:34:17,100 --> 00:34:17,867
FOR A PARTY.

1584
00:34:17,867 --> 00:34:19,067
LIKE, I'M EVERYWHERE.

1585
00:34:19,067 --> 00:34:20,133
NOW, I LOVE KARLIE.

1586
00:34:20,133 --> 00:34:20,933
DON'T GET ME WRONG.

1587
00:34:20,933 --> 00:34:22,333
BUT SHE DO BE TRYING TO ACT LIKE

1588
00:34:22,333 --> 00:34:23,867
SHE SOME BIG INTERNATIONAL POP

1589
00:34:23,867 --> 00:34:25,500
STAR WHEN SHE KNOW DAMN WELL HER

1590
00:34:25,500 --> 00:34:26,767
BIGGEST GIGS BE AT THE NEAREST

1591
00:34:26,767 --> 00:34:27,533
SHOPPING MALL.

1592
00:34:27,533 --> 00:34:28,733
I'M NOT TRYING TO SAY THE GIRL

1593
00:34:28,733 --> 00:34:30,100
AIN'T GOT TALENT, BUT THE THING

1594
00:34:30,100 --> 00:34:32,100
IS, I AIN'T SEEN IT YET.

1595
00:34:32,100 --> 00:34:32,967
IT SOUND LIKE YOU TRYING TO

1596
00:34:32,967 --> 00:34:34,067
TELL ME THAT I AIN'T HOT.

1597
00:34:34,067 --> 00:34:35,200
I MEAN, YOU HEARD--

1598
00:34:35,200 --> 00:34:36,600
[laughs]

1599
00:34:36,600 --> 00:34:38,267
RASHEEDA, YOU HEARD MY

1600
00:34:38,267 --> 00:34:39,333
RECORDS, AND YOU WAS THE ONE

1601
00:34:39,333 --> 00:34:40,767
SAYING, "YO, THEY HOT."

1602
00:34:40,767 --> 00:34:41,700
AND LET ME TELL YOU, I WAS

1603
00:34:41,700 --> 00:34:43,500
LIKE, "BITCH, THIS IS KILLING

1604
00:34:43,500 --> 00:34:44,967
THAT GUCCI, PRADA [bleep] THAT

1605
00:34:44,967 --> 00:34:47,067
WAS ON," 'CAUSE THAT LOOK WAS

1606
00:34:47,067 --> 00:34:48,067
A HORRIBLE LOOK.

1607
00:34:48,067 --> 00:34:49,267
I HOPE YOU NOT SITTING HERE

1608
00:34:49,267 --> 00:34:50,600
ACTING LIKE, "OH, [bleep],

1609
00:34:50,600 --> 00:34:52,167
BITCH, YOUR MUSIC AIN'T HOT, SO

1610
00:34:52,167 --> 00:34:53,533
I AIN'T WORKING WITH YOU."

1611
00:34:53,533 --> 00:34:55,500
WHAT I SAW WAS HORRIBLE, AND

1612
00:34:55,500 --> 00:34:56,367
I FELT LIKE, "DAMN, THAT'S A

1613
00:34:56,367 --> 00:34:58,167
[bleep] UP LOOK SHE HAD, AND SHE

1614
00:34:58,167 --> 00:34:59,500
NEED TO REDEEM HERSELF.

1615
00:34:59,500 --> 00:35:00,833
KARLIE NEED TO REDEEM KARLIE."

1616
00:35:00,833 --> 00:35:01,767
GIRL, I GOT THIS.

1617
00:35:01,767 --> 00:35:03,133
OH, OKAY, GOOD. THAT'S GREAT.

1618
00:35:03,133 --> 00:35:03,933
I GOT THIS.

1619
00:35:03,933 --> 00:35:05,100
I HOPE YOU DO GOT IT.

1620
00:35:05,100 --> 00:35:06,100
I REALLY DO.

1621
00:35:06,100 --> 00:35:07,167
MIGHT BE WRONG ABOUT

1622
00:35:07,167 --> 00:35:09,167
THIS ONE.

1623
00:35:10,933 --> 00:35:11,933
[rock music]

1624
00:35:11,933 --> 00:35:12,867
♪

1625
00:35:12,867 --> 00:35:14,233
TONIGHT I'M PERFORMING AT

1626
00:35:14,233 --> 00:35:17,567
B.B. KING'S IN NEW YORK CITY.

1627
00:35:17,567 --> 00:35:19,500
THE LINE IS DOWN THE STREET,

1628
00:35:19,500 --> 00:35:21,067
BUT THE SHOW IS ALREADY

1629
00:35:21,067 --> 00:35:24,267
SOLD OUT.

1630
00:35:24,267 --> 00:35:25,967
I'MA TURN UP, HAVE A GOOD TIME,

1631
00:35:25,967 --> 00:35:27,933
NO DRAMA, NO STRESS, JUST ME AND

1632
00:35:27,933 --> 00:35:28,967
THAT MICROPHONE.

1633
00:35:28,967 --> 00:35:30,733
♪ THEY SAY I DRINK TOO MUCH

1634
00:35:30,733 --> 00:35:31,800
♪ CURSE TOO MUCH

1635
00:35:31,800 --> 00:35:32,967
♪ I CAN BE A LITTLE ROUGH

1636
00:35:32,967 --> 00:35:34,600
♪ BUT IN GOD I TRUST

1637
00:35:34,600 --> 00:35:36,867
♪ HYPOCRITES SO QUICK TO JUDGE

1638
00:35:36,867 --> 00:35:37,933
♪ I'M LOVING ALL MY FANS ♪

1639
00:35:37,933 --> 00:35:39,667
♪ Y'ALL BE SHOWING ME LOVE ♪

1640
00:35:39,667 --> 00:35:42,200
♪ I GOT MY FOOT IN THE DOOR

1641
00:35:42,200 --> 00:35:43,633
♪ BUT EVERY DAY'S A-- ♪

1642
00:35:43,633 --> 00:35:44,300
COME ON, Y'ALL.

1643
00:35:44,300 --> 00:35:45,233
♪ IF IT MAKE YOU FEEL

1644
00:35:45,233 --> 00:35:46,567
♪ SOME TYPE OF WAY

1645
00:35:46,567 --> 00:35:47,800
♪ ALL I CAN SAY IS

1646
00:35:47,800 --> 00:35:50,967
♪ YOU GONNA LEARN TODAY

1647
00:35:50,967 --> 00:35:53,633
DROP IT DOWN LOW, BAND.

1648
00:35:53,633 --> 00:35:56,767
THIS IS THE MOST AMAZING--

1649
00:35:56,767 --> 00:35:58,967
MOST AMAZING FEELING.

1650
00:35:58,967 --> 00:36:00,533
K. DID AMAZING TONIGHT.

1651
00:36:00,533 --> 00:36:01,233
I THOUGHT SHE DID AN

1652
00:36:01,233 --> 00:36:02,133
EXCELLENT JOB.

1653
00:36:02,133 --> 00:36:03,600
THE CROWD LOVED HER, I WAS PROUD

1654
00:36:03,600 --> 00:36:05,633
OF HER, BUT WHAT I REALLY WANTED

1655
00:36:05,633 --> 00:36:07,733
TO SEE WAS HER AND MIMI MEND

1656
00:36:07,733 --> 00:36:09,167
THEIR RELATIONSHIP, IF NOT FOR

1657
00:36:09,167 --> 00:36:10,633
THEM, JUST, PLEASE, FOR ME.

1658
00:36:10,633 --> 00:36:13,300
HEY.

1659
00:36:13,300 --> 00:36:14,367
THANK YOU.

1660
00:36:14,367 --> 00:36:15,500
LET ME TALK TO THEM.

1661
00:36:15,500 --> 00:36:16,167
OKAY, ONE MINUTE.

1662
00:36:16,167 --> 00:36:17,933
OH, THANK YOU.

1663
00:36:17,933 --> 00:36:19,300
THANK YOU SO MUCH.

1664
00:36:19,300 --> 00:36:20,633
THEY SO PRETTY.

1665
00:36:20,633 --> 00:36:21,467
I LOVE THEM.

1666
00:36:21,467 --> 00:36:22,733
YOU LOOK BEAUTIFUL.

1667
00:36:22,733 --> 00:36:23,467
WHAT'S GOING ON?

1668
00:36:23,467 --> 00:36:24,300
I BROUGHT MIMI WITH ME, BUT

1669
00:36:24,300 --> 00:36:25,800
I JUST CAME IN SUPPORT, SO...

1670
00:36:25,800 --> 00:36:26,833
THANK YOU. I APPRECIATE IT.

1671
00:36:26,833 --> 00:36:28,100
I KNOW Y'ALL BOTH WANTED TO

1672
00:36:28,100 --> 00:36:29,900
SAY SOME THINGS I KNOW, SO...

1673
00:36:29,900 --> 00:36:31,100
'CAUSE I WAS A LITTLE

1674
00:36:31,100 --> 00:36:33,333
CONFUSED ABOUT THE WHOLE THING

1675
00:36:33,333 --> 00:36:34,400
THAT HAPPENED THE OTHER DAY

1676
00:36:34,400 --> 00:36:35,533
AT THE VIDEO SHOOT.

1677
00:36:35,533 --> 00:36:36,633
TELL HER WHAT YOUR ISSUE WAS,

1678
00:36:36,633 --> 00:36:39,067
K., LIKE YOU TOLD ME.

1679
00:36:39,067 --> 00:36:39,933
WHATEVER, YOU JUST SHOULD

1680
00:36:39,933 --> 00:36:40,733
HAVE MY BACK,

1681
00:36:40,733 --> 00:36:41,400
YOU KNOW WHAT I MEAN?

1682
00:36:41,400 --> 00:36:42,433
I WASN'T IN THE ROOM.

1683
00:36:42,433 --> 00:36:43,533
YOU WERE THERE WHEN IT FIRST

1684
00:36:43,533 --> 00:36:44,200
STARTED.

1685
00:36:44,200 --> 00:36:45,533
YOU WERE STANDING RIGHT THERE.

1686
00:36:45,533 --> 00:36:46,767
YOU WERE GETTING YOUR COAT

1687
00:36:46,767 --> 00:36:47,733
FLUFFED SO YOU COULD--.

1688
00:36:47,733 --> 00:36:50,067
KAY, I DIDN'T SEE ANYONE WALK

1689
00:36:50,067 --> 00:36:51,133
UP TO YOU.

1690
00:36:51,133 --> 00:36:52,167
I DIDN'T EVEN HEAR THE

1691
00:36:52,167 --> 00:36:53,733
CONVERSATION THAT OCCURRED.

1692
00:36:53,733 --> 00:36:54,800
YOU WERE HAVING GIRL TALK IN

1693
00:36:54,800 --> 00:36:56,233
A ROOM LIKE WE ALWAYS DO.

1694
00:36:56,233 --> 00:36:56,933
RIGHT.

1695
00:36:56,933 --> 00:36:58,067
HE HAPPENED TO HEAR, AND YOU

1696
00:36:58,067 --> 00:36:59,067
KNOW WHAT I SAID TO HIM?

1697
00:36:59,067 --> 00:37:00,900
"NOT NOW. IT'S NOT THE PLACE.

1698
00:37:00,900 --> 00:37:01,967
IT'S NOT THE TIME."

1699
00:37:01,967 --> 00:37:02,633
BUT--

1700
00:37:02,633 --> 00:37:03,733
AND THAT'S WHAT I SAID.

1701
00:37:03,733 --> 00:37:05,533
IF YOU OPEN THAT DOOR AND

1702
00:37:05,533 --> 00:37:07,100
QUESTION A MAN'S SEXUALITY--

1703
00:37:07,100 --> 00:37:08,133
HE IS GAY.

1704
00:37:08,133 --> 00:37:09,533
THEN YOU NEED TO BE PREPARED

1705
00:37:09,533 --> 00:37:11,100
FOR WHAT COMES AFTER THE FACT.

1706
00:37:11,100 --> 00:37:11,900
OKAY, BUT I DON'T WANT TO DO

1707
00:37:11,900 --> 00:37:12,700
IT--I DIDN'T WANT TO DO IT AT

1708
00:37:12,700 --> 00:37:13,433
YOUR EVENT.

1709
00:37:13,433 --> 00:37:14,700
BUT YOU DID DO IT AT MY

1710
00:37:14,700 --> 00:37:15,367
EVENT.

1711
00:37:15,367 --> 00:37:16,067
I TALKED TO YOU, YOU,

1712
00:37:16,067 --> 00:37:16,700
AND HER.

1713
00:37:16,700 --> 00:37:17,700
WE WAS ON IT, WHATEVER.

1714
00:37:17,700 --> 00:37:18,467
YOU WANTED TO QUESTION A

1715
00:37:18,467 --> 00:37:20,700
MAN'S SEXUALITY AT YOUR EVENT?

1716
00:37:20,700 --> 00:37:21,400
YOU KNOW WHAT?

1717
00:37:21,400 --> 00:37:22,733
ALL I HAVE TO SAY IS THAT

1718
00:37:22,733 --> 00:37:24,900
THERE'S NO REASON THAT A GROWN

1719
00:37:24,900 --> 00:37:26,800
MAN HAS A ROOMMATE AT THE AGE

1720
00:37:26,800 --> 00:37:27,467
OF YOUR BOYFRIEND.

1721
00:37:27,467 --> 00:37:28,633
HE'S NOT A ROOMMATE.

1722
00:37:28,633 --> 00:37:29,567
THEY HAVE A ROOMMATE.

1723
00:37:29,567 --> 00:37:30,367
I'VE BEEN OVER THERE.

1724
00:37:30,367 --> 00:37:31,100
THEY HAVE A ROOMMATE.

1725
00:37:31,100 --> 00:37:32,100
YOU BEEN OVER WHERE?

1726
00:37:32,100 --> 00:37:33,367
YOU HAVEN'T BEEN ANYWHERE

1727
00:37:33,367 --> 00:37:34,067
WITH ME.

1728
00:37:34,067 --> 00:37:34,733
MIMI.

1729
00:37:34,733 --> 00:37:35,467
LET'S BE CLEAR ON THAT.

1730
00:37:35,467 --> 00:37:36,600
IT'S NOT WORTH IT.

1731
00:37:36,600 --> 00:37:37,700
YOUR BOYFRIEND'S GAY.

1732
00:37:37,700 --> 00:37:38,733
HIS FRIEND'S GAY.

1733
00:37:38,733 --> 00:37:39,567
AND YOU DESERVE--

1734
00:37:39,567 --> 00:37:40,700
YOU CAN RUN YOUR MOUTH

1735
00:37:40,700 --> 00:37:42,600
ALL YOU WANTED TO.

1736
00:37:42,600 --> 00:37:43,400
YOU DON'T EVEN HAVE

1737
00:37:43,400 --> 00:37:44,400
A [bleep] MAN.

1738
00:37:44,400 --> 00:37:45,933
YOU'RE ABSOLUTELY RIGHT.

1739
00:37:45,933 --> 00:37:47,400
I DON'T WANT ONE LIKE YOURS.

1740
00:37:47,400 --> 00:37:48,167
THAT'S WHAT I'M SAYING.

1741
00:37:48,167 --> 00:37:50,300
AND YOU WILL NEVER HAVE ONE.

1742
00:37:50,300 --> 00:37:51,800
STOP!

1743
00:37:51,800 --> 00:37:52,867
'CAUSE YOU'RE A WHACK-ASS

1744
00:37:52,867 --> 00:37:54,433
BITCH, AND THAT'S WHAT YOU

1745
00:37:54,433 --> 00:37:55,867
RESORT TO.

1746
00:37:55,867 --> 00:37:58,667
YOU [bleep] LAME-ASS BITCH.

1747
00:37:58,667 --> 00:38:00,167
YOU CAN'T EVEN TALK.

1748
00:38:00,167 --> 00:38:01,500
YOU GOT TO HIT SOMEBODY WITH

1749
00:38:01,500 --> 00:38:02,900
SOME [bleep] 'CAUSE YOU

1750
00:38:02,900 --> 00:38:04,167
A WHACK BITCH.

1751
00:38:04,167 --> 00:38:06,300
* OH, BA, DA-DA, DA

1752
00:38:06,300 --> 00:38:07,533
EXACTLY.

1753
00:38:07,533 --> 00:38:09,200
MY POINT EXACTLY.

1754
00:38:09,200 --> 00:38:10,900
* OH, HUM

1755
00:38:10,900 --> 00:38:11,600
YOU IN WITH--

1756
00:38:11,600 --> 00:38:12,633
* BYE, [bleep]

1757
00:38:12,633 --> 00:38:13,333
♪ BUH-BYE

1758
00:38:13,333 --> 00:38:14,100
EXCUSE ME.

1759
00:38:14,100 --> 00:38:16,067
THAT'S YOUR FRIEND.

1760
00:38:16,067 --> 00:38:17,200
YEAH.

1761
00:38:17,200 --> 00:38:18,267
GOOD-BYE.

1762
00:38:18,267 --> 00:38:19,800
DON'T GET ALL THIS LIQUID

1763
00:38:19,800 --> 00:38:21,400
COURAGE AND THEN TAKE IT OUT

1764
00:38:21,400 --> 00:38:22,067
ON ME.

1765
00:38:22,067 --> 00:38:23,067
BITCH AIN'T HIT YOU IN YOUR

1766
00:38:23,067 --> 00:38:24,167
[bleep] FACE.

1767
00:38:24,167 --> 00:38:25,233
SHE'S NOT GOING TO.

1768
00:38:25,233 --> 00:38:26,300
YOU DON'T MOTHER[bleep]

1769
00:38:26,300 --> 00:38:27,067
KNOW THAT.

1770
00:38:27,067 --> 00:38:29,067
ARE YOU [bleep] KIDDING ME?

1771
00:38:40,300 --> 00:38:41,300
I'M JUST SAYING THAT MIMI

1772
00:38:41,300 --> 00:38:42,333
WAS HURT AND EMBARRASSED BY

1773
00:38:42,333 --> 00:38:43,833
K.MICHELLE CALLING NIKKO

1774
00:38:43,833 --> 00:38:45,200
AND JOHNNY GAY, AND, YES,

1775
00:38:45,200 --> 00:38:46,633
K. WENT A LITTLE OVERBOARD.

1776
00:38:46,633 --> 00:38:47,533
SHE ALWAYS DOES.

1777
00:38:47,533 --> 00:38:48,200
WE KNOW THAT.

1778
00:38:48,200 --> 00:38:49,967
BUT I WAS REALLY EXPECTING MIMI

1779
00:38:49,967 --> 00:38:51,100
TO HANDLE THE SITUATION A LOT

1780
00:38:51,100 --> 00:38:52,933
MORE MATURE AND DIFFERENTLY

1781
00:38:52,933 --> 00:38:53,900
THAN SHE DID.

1782
00:38:53,900 --> 00:38:54,700
SHE DIDN'T EVEN MENTION

1783
00:38:54,700 --> 00:38:56,233
THE INTERVIEW AT ALL.

1784
00:38:56,233 --> 00:38:57,600
YOU STICKING UP MAMA'S BITCH.

1785
00:38:57,600 --> 00:38:58,500
I'M NOT STICKING UP FOR

1786
00:38:58,500 --> 00:38:59,167
NO [bleep] BODY.

1787
00:38:59,167 --> 00:39:00,233
I'M WITH YOU.

1788
00:39:00,233 --> 00:39:01,867
DON'T GET ALL THIS LIQUID

1789
00:39:01,867 --> 00:39:03,600
COURAGE AND THEN TAKE IT OUT

1790
00:39:03,600 --> 00:39:04,367
ON ME.

1791
00:39:04,367 --> 00:39:05,167
I'M NOT TAKING [bleep] OUT

1792
00:39:05,167 --> 00:39:05,867
ON YOU.

1793
00:39:05,867 --> 00:39:07,200
YOU DID IT THE OTHER DAY!

1794
00:39:07,200 --> 00:39:07,867
NO.

1795
00:39:07,867 --> 00:39:08,633
AND YOU'RE DOING THE SAME

1796
00:39:08,633 --> 00:39:09,500
[bleep] AGAIN RIGHT NOW.

1797
00:39:09,500 --> 00:39:10,433
I AIN'T DO [bleep].

1798
00:39:10,433 --> 00:39:11,200
LET ME TELL YOU WHAT I DID

1799
00:39:11,200 --> 00:39:11,867
THE OTHER DAY.

1800
00:39:11,867 --> 00:39:12,567
I KNOW THAT.

1801
00:39:12,567 --> 00:39:13,233
I SAID, "YES"--

1802
00:39:13,233 --> 00:39:14,067
ARE YOU [bleep] KIDDING ME?

1803
00:39:14,067 --> 00:39:14,833
"YOU NOT GONNA RUIN MY

1804
00:39:14,833 --> 00:39:15,733
MOTHER[bleep] DAY."

1805
00:39:15,733 --> 00:39:16,900
THAT'S WHAT I SAID. PERIOD.

1806
00:39:16,900 --> 00:39:17,933
I DON'T GIVE A [bleep] IF YOU

1807
00:39:17,933 --> 00:39:18,633
WAS IN THE ROOM.

1808
00:39:18,633 --> 00:39:20,433
WE ALREADY ASSESSED THAT.

1809
00:39:20,433 --> 00:39:21,100
EXACTLY.

1810
00:39:21,100 --> 00:39:22,767
I'M TELLING EVERYBODY--

1811
00:39:22,767 --> 00:39:23,700
THEN YOU SHOULD'VE [bleep]

1812
00:39:23,700 --> 00:39:24,400
DONE THAT.

1813
00:39:24,400 --> 00:39:25,067
YOU THINK I'M DOING?

1814
00:39:25,067 --> 00:39:26,067
YOU SHOULD'VE APPROACHED THAT

1815
00:39:26,067 --> 00:39:26,933
[bleep] JUST LIKE THAT.

1816
00:39:26,933 --> 00:39:27,600
GUESS WHAT.

1817
00:39:27,600 --> 00:39:30,300
I HAD A STARTING POINT, OKAY?

1818
00:39:30,300 --> 00:39:31,367
YOUR STARTING POINT SHOULD'VE

1819
00:39:31,367 --> 00:39:32,333
BEEN, "THAT'S IT."

1820
00:39:32,333 --> 00:39:33,267
THAT'S IT, AND YOU SHOULD'VE

1821
00:39:33,267 --> 00:39:35,400
JUST MOTHER[bleep] GONE WITH IT,

1822
00:39:35,400 --> 00:39:36,067
BITCH, AND WALK

1823
00:39:36,067 --> 00:39:37,600
THE [bleep] AWAY.

1824
00:39:37,600 --> 00:39:38,767
WALK AWAY?

1825
00:39:38,767 --> 00:39:40,133
BITCH, I NEVER THE ONE TO WALK

1826
00:39:40,133 --> 00:39:41,533
THE [bleep] AWAY.

1827
00:39:41,533 --> 00:39:43,333
BITCH, I AIN'T NO WALK-AWAY-ASS

1828
00:39:43,333 --> 00:39:44,067
BITCH.

1829
00:39:44,067 --> 00:39:44,833
MIMI, ARE YOU NOT [bleep]

1830
00:39:44,833 --> 00:39:45,500
LISTENING ME?

1831
00:39:45,500 --> 00:39:46,333
I AIN'T NO WALK-AWAY-ASS

1832
00:39:46,333 --> 00:39:47,067
BITCH.

1833
00:39:47,067 --> 00:39:47,833
ARE YOU NOT LISTENING TO ME?

1834
00:39:47,833 --> 00:39:48,600
BUT BITCH DONE BRING SOME

1835
00:39:48,600 --> 00:39:49,267
AND HIT ME IN MY

1836
00:39:49,267 --> 00:39:50,100
MOTHER[bleep] FACE.

1837
00:39:50,100 --> 00:39:50,933
BITCH, YOU COULD'VE WALKED

1838
00:39:50,933 --> 00:39:52,667
AWAY BEFORE SHE EVEN DID THAT.

1839
00:39:52,667 --> 00:39:53,500
BITCH AIN'T HIT YOU IN YOUR

1840
00:39:53,500 --> 00:39:54,700
[bleep] FACE!

1841
00:39:54,700 --> 00:39:55,733
SHE'S NOT GOING TO.

1842
00:39:55,733 --> 00:39:56,767
YOU DON'T MOTHER[bleep]

1843
00:39:56,767 --> 00:39:58,400
KNOW THAT.

1844
00:39:58,400 --> 00:39:59,667
YOU DON'T MOTHER[bleep] KNOW

1845
00:39:59,667 --> 00:40:01,333
THAT, JUST LIKE THAT BITCH'LL

1846
00:40:01,333 --> 00:40:03,300
TURN ON YOU IN A [bleep] SECOND.

1847
00:40:03,300 --> 00:40:04,733
I NEVER SAID SHE WOULDN'T.

1848
00:40:04,733 --> 00:40:06,300
YOU WANT TO BEFRIEND THIS

1849
00:40:06,300 --> 00:40:08,400
[bleep] WHACK-ASS BITCH?

1850
00:40:08,400 --> 00:40:11,033
ARE YOU [bleep] KIDDING ME?

1851
00:40:14,467 --> 00:40:15,433
ON THE NEXT LOVE AND HIP-HOP:

1852
00:40:15,433 --> 00:40:16,100
ATLANTA...

1853
00:40:16,100 --> 00:40:17,067
WHAT DO YOU FEEL, AS MY

1854
00:40:17,067 --> 00:40:18,967
FRIEND, ABOUT MY RELATIONSHIP?

1855
00:40:18,967 --> 00:40:20,500
I FEEL LIKE HE'S UNAUTHENTIC

1856
00:40:20,500 --> 00:40:21,667
SOMETIMES.

1857
00:40:21,667 --> 00:40:22,467
HMM.

1858
00:40:22,467 --> 00:40:23,500
DO YOU THINK SHE LOVE HIM?

1859
00:40:23,500 --> 00:40:24,500
ABSOLUTELY NOT.

1860
00:40:24,500 --> 00:40:25,867
FIRST YOU GO FROM STEVIE.

1861
00:40:25,867 --> 00:40:27,100
NOW SHE ON HIS BUS.

1862
00:40:27,100 --> 00:40:28,833
NOW SHE ON THE PINK BUS.

1863
00:40:28,833 --> 00:40:29,667
WANT TO MAKE SURE YOU'RE NOT

1864
00:40:29,667 --> 00:40:31,200
FOCUSING ON BEEFIN' WITH PEOPLE.

1865
00:40:31,200 --> 00:40:32,900
THESE INCIDENTS ARE

1866
00:40:32,900 --> 00:40:34,333
DIMINISHING YOUR BRAND.

1867
00:40:34,333 --> 00:40:35,300
I DON'T WANT TO LET MY FANS

1868
00:40:35,300 --> 00:40:36,733
OUT THERE--I DON'T WANT TO LET

1869
00:40:36,733 --> 00:40:37,767
THEM DOWN.

1870
00:40:37,767 --> 00:40:38,733
I GOT MYSELF KNOCKED UP.

1871
00:40:38,733 --> 00:40:39,400
OKAY.

1872
00:40:39,400 --> 00:40:40,133
I DON'T KNOW.

1873
00:40:40,133 --> 00:40:40,833
SO WHAT YOU THINK, I'M

1874
00:40:40,833 --> 00:40:41,500
[bleep] AROUND?

1875
00:40:41,500 --> 00:40:43,867
WHAT ARE RAPPERS KNOWN FOR?

1876
00:40:43,867 --> 00:40:44,733
WHATEVER I DID THAT'S SO

1877
00:40:44,733 --> 00:40:45,400
WRONG TO YOU?

1878
00:40:45,400 --> 00:40:46,400
WE WAS JUST [bleep] SIX DAYS

1879
00:40:46,400 --> 00:40:48,667
BEFORE YOU PROPOSED, HOMEBOY.

1880
00:40:48,667 --> 00:40:49,467
YOU HAVE TO SIT DOWN

1881
00:40:49,467 --> 00:40:50,133
WITH CHE'.

1882
00:40:50,133 --> 00:40:50,800
COME ON.

1883
00:40:50,800 --> 00:40:51,500
LET ME FIND THAT YOU'RE

1884
00:40:51,500 --> 00:40:53,233
SMASHING HER, AND I'MA SMASH

1885
00:40:53,233 --> 00:40:54,967
YOUR [bleep] HEAD OPEN.

1886
00:40:54,967 --> 00:40:55,667
YOU'RE NOT GONNA PLAY ME.

1887
00:40:55,667 --> 00:40:56,333
GOOD.

1888
00:40:56,333 --> 00:40:57,167
YOU NEEDED TO BE DONE WITH MY

1889
00:40:57,167 --> 00:40:58,333
PROJECT BEFORE YOU COULD START--

1890
00:40:58,333 --> 00:40:59,467
YOUR PROJECT WAS DONE BEFORE

1891
00:40:59,467 --> 00:41:00,367
IT STARTED.

1892
00:41:00,367 --> 00:41:01,533
YOU'RE A BITCH.

1893
00:41:01,533 --> 00:41:02,967
YOU SIGNED FOR LIFE.

1894
00:41:02,967 --> 00:41:04,967
BYE.

1895
00:41:20,833 --> 00:41:21,700
TYLER IS DOING A FIGURE EIGHT

1896
00:41:21,700 --> 00:41:22,367
OVER THERE.

1897
00:41:22,367 --> 00:41:23,100
[chuckles]

1898
00:41:23,100 --> 00:41:23,867
HE'S GOING AGAIN.

1899
00:41:23,867 --> 00:41:24,767
AND THERE GO MERLOT.

1900
00:41:24,767 --> 00:41:26,500
SEE, MERLOT'S GOING AGAIN.

1901
00:41:26,500 --> 00:41:28,167
SO THAT'S A GOOD THING.

1902
00:41:28,167 --> 00:41:29,500
SEE, TYLER'S POOPING NOW.

1903
00:41:29,500 --> 00:41:30,300
YUP.

1904
00:41:30,300 --> 00:41:31,133
IF YOU STILL--

1905
00:41:31,133 --> 00:41:32,133
COME HERE, MERLOT.

1906
00:41:32,133 --> 00:41:33,733
SCRAPPY MERLOT JONES,

1907
00:41:33,733 --> 00:41:34,733
BEFORE I SPANK YOUR PAWS.

1908
00:41:34,733 --> 00:41:35,400
[chuckles]

1909
00:41:35,400 --> 00:41:37,533
YEAH, SO IS HIS NAME MERLOT?

1910
00:41:37,533 --> 00:41:38,200
SCRAPPY?

1911
00:41:38,200 --> 00:41:39,400
IT'S SCRAPPY MERLOT.

1912
00:41:39,400 --> 00:41:40,467
BUT THAT'S YOUR SON NAME.

1913
00:41:40,467 --> 00:41:41,133
YEAH.

1914
00:41:41,133 --> 00:41:41,833
SO YOU NAMED HIM AFTER

1915
00:41:41,833 --> 00:41:42,567
YOUR SON?

1916
00:41:42,567 --> 00:41:43,467
SCRAPPY NAMED HIM.

1917
00:41:43,467 --> 00:41:44,400
SCRAPPY NAMED HIM AFTER

1918
00:41:44,400 --> 00:41:45,400
HIMSELF.

1919
00:41:45,400 --> 00:41:46,233
I THINK SO.

1920
00:41:46,233 --> 00:41:47,233
THAT'S WHY SHE MISTREATED HIM

1921
00:41:47,233 --> 00:41:47,933
AND GAVE HIM THE BOOT.

1922
00:41:47,933 --> 00:41:49,933
OKAY.